University of Social Sciences and Humanities - VNU Hanoi

I. General Information  

• Full name: Tran Truc Ly
• Year of birth: 1980
• Email: trucly0402@gmail.com
• Affiliation: Department of Oriental Studies
• Academic degree: PhD Year received: 2021

• Training process:

  - 1997-2001: Bachelor of Oriental Studies, Faculty of Social Sciences and Humanities, Vietnam National University, Hanoi

  - 2001-2005: Master of Chinese Literature, National Sun Yat-sen University, Taiwan, China

  - 2013-2021: PhD in Chinese Studies, Faculty of Social Sciences and Humanities, Vietnam National University, Hanoi

• Language proficiency: Chinese (Fluent), English (Intermediate)
• Main research areas: Feminist Chinese literature, women's issues in China, Chinese cinema and popular culture.

II. Scientific works:

1. Books

[1] Tran Truc Ly, From Subservient Status to Independent Personality - Views and Activities of Women's Liberation in the New Culture Movement in China, National University of Hanoi Publishing House, Hanoi, 2024

2. Chapter

[1] “A Survey of Cai Yan and the work Bi Fan Shi through Chinese literary history documents”, (Proceedings of the 4th International Conference on Oriental Studies, The Gioi Publishing House, Hanoi, 2009, pp. 263-272.)

[2]越南女詩人胡春香詩作及其研究(王三慶，陳益源主編：《東亞漢文學與民俗文化論叢》,樂學書局, 台北,2010年,頁11-24。)

[3] “Hu Shih’s proposals on the women’s issue in the New Youth magazine” (Traditional and Modern East, World Publishing House, Hanoi, 2015, pp. 203-218.)

[4]“The process of marginalizing the image of women in China until before the modern era” (Oriental Studies - New Studies, Science and Technology Publishing House, Hanoi, 2019, pp. 193-204.)

[5] “Changes in the marital and property rights of Chinese women in modern times from a legal perspective (through the Great Qing Law and the Republic of China Law)” (Interdisciplinary Research in Social Sciences and Humanities: approaches from theoretical and practical perspectives, National University Publishing House, Hanoi, 2015, pp. 176-192.)

[6] “The storytelling style in Andy Lau's films - a cinematic look at modern Asian society” (Contemporary Asian Cinema - historical, aesthetic and stylistic issues, National University Publishing House, Hanoi, 2015, pp. 278-292.)

3. Article: Journal name, issue number, year, page number.

[1] “The Ontological Problem in Koreeda Cinema”, Journal of Literary and Artistic Criticism, Vol. 58, No. 6/2017, pp. 81-87.

[2]“Adolescent crisis in modern Japanese society from a developmental psychology perspective”, Journal of Northeast Asian Studies, Vol. 195, No. 05/2017, pp. 42-49.

[3]“The May Fourth New Culture Movement (1915-1923) and the issue of women's liberation”, Journal of Chinese Studies, Vol. 185, No. 1/2017, pp. 55-65.

[4]“Women in the Conception of Traditional Chinese Confucianism”, Journal of Indian and Asian Studies, Vol. 68, No. 7/2018, pp. 37-42.

[5]“The New Culture Movement’s (1915-1923) Viewpoint in China on Women’s “Independent Personality”, Journal of Indian and Asian Studies, Vol. 113, No. 4/2022, pp. 41-48.

[6]“The issue of women's education in the New Culture Movement (1915 - 1923) in China”, Journal of Social Sciences and Humanities; Vol. 8, No. 3/2022, pp. 274-289.

III. Science and Technology Projects at all levels

[1] Young adult and middle adult as the center social interactions: Case Study of Kore-eda Hirokazu Cinema, research project of The Sumitomo Foundation, completed in 2016, summary of research results published on: http://www.sumitomo.or.jp/e/Jare/jare14e-list.htm(Section 76)