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Don't turn literature into stereotypes

Sunday - 01/07/2012 23:50
As the university entrance exam is approaching, Mr. Tran Hinh (lecturer of the Faculty of Literature) shares his thoughts on the current way of teaching and learning Literature. He also gives some suggestions to help candidates do well on the university entrance exam in Literature.
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Don't turn literature into stereotypes

As the university entrance exam is approaching, Mr. Tran Hinh (lecturer of the Faculty of Literature) shares his thoughts on the current way of teaching and learning Literature. He also gives some suggestions to help candidates do well on the university entrance exam in Literature. - Through many years of teaching and grading university entrance exams in Literature, what do you think are the most "serious" mistakes students make in the current way of learning Literature?To answer this question fully, I think it is difficult, because I am just a “small” individual, while there are many other teachers who may have different comments. However, if I am allowed to answer personally and frankly, I affirm that the “most serious” mistake in the way of teaching Literature for a long time is that students are turned into “models”, learning from “model essays”. Literature in particular and art in general, as writer Nam Cao said, “do not need skilled workers to follow a few pre-made samples. Literature only accepts those who know how to dig deep into their thoughts, explore untapped sources and create things that do not exist yet”. Even though Nam Cao's above concept focuses more on fictional literature, literature of creators, rather than student literature, I still think that the reason why students' literature learning today has so many "disasters" is because books, teachers, and literature teaching methods often tend to turn students into "machines". When writers are machines, of course emotions disappear, personality is gone, and literature becomes a "disaster". We cannot blame students.- So when grading university entrance exams, what mistakes in literature exams make teachers worry, sir?A common mistake that students often make is trying to follow model essays in their writing. Grading thousands of essays in an exam, they all seem to be similar. Meanwhile, learning from model essays is never possible. When they do not learn and remember model essays, students become disoriented and lose confidence in themselves. This leads to a series of essays that often have the following errors: essays lacking structure, arguments are often unclear, sentences are dry, "confused", naive, unconvincing, slogans... To be honest, in my nearly 40-year history of grading university entrance exams, since the appearance of exam questions and model essays, I have encountered many such essays. Of course, in an examination council, we occasionally come across a few good essays. Truly good, not good according to model essays. That is when students are themselves. They think and feel and write authentic sentences. I wish that one day we can bring back the way literature is taught and learned.- The annual university entrance exam for Literature often has questions about feelings about a poem or character, problem... in a prose work. With this type of question, what should candidates pay attention to when doing the test to get a high score?It is true that recently in university entrance exams, we often encounter questions asking for opinions about a poem, a paragraph or a certain issue in one or several prose works. Specifically, the university entrance exams for Literature from 2008 to now have a series of questions of this type: stating your feelings about two poems in Day thon Vi Da and Trang giang; stating your feelings about two poems in Tuong tu and Viet Bac; stating your feelings about two prose passages in the essay Nguoi lai do song da and Ai da nam cho dong song?... In general, with this "strange" type of exam, students need to pay attention, it is just a normal type of essay, do not consider it "strange". Of course, when people give questions to link two works or two issues together, they should think of it as a type of exam that requires comparison. Students must know how to find the similarities and differences between the two poems/paragraphs above. As for the exam questions asking for “perception”, it means that people want to emphasize the students’ perception. Therefore, with these types of exams, students can use the operations of analysis, commentary, proof or commentary, depending on the specific content requirements, as long as they can talk about the good, the beautiful, the similarities and differences in content and art of the poems and literary passages that need to be compared. Students should not worry too much about the word “perception” in this type of exam. However, I think that giving exams to high school students like this is actually not very “standard”. Because in the high school curriculum, there is no “perception” type of writing. It only has analysis, explanation, proof, commentary or commentary. It will be difficult for students.

- For many years now, the university entrance exam for Literature has included a question asking candidates to express their thoughts on a social issue. How do you evaluate this way of writing the questions? After many years of grading university entrance exams, what do you think about the way students do their work and what advice can you give to help candidates do best on this type of exam?This type of exam has actually been implemented for a number of years now. If I'm not mistaken, I remember starting from the 2009 exam. To be exact, this is a social argumentative essay format. When I took the university entrance exam [in 1970-1971], this type of exam was very popular. Now it is being used again, and many people think it is a terrible "innovation". Personally, I accept this direction of exam questions, but I don't make it absolute. It is true that by giving open-ended questions like this, people can test students' level of social awareness and know their daily thoughts. However, in reality, when grading exams of this type, I don't see that positive direction. Most of the students' work still falls into the state of "model essays", shouting slogans, repeating what teachers, books, and the media "feed" them, without expressing their own thoughts honestly. Even in the exam questions about “honesty, hypocrisy, lies”, in the students’ papers, I still see “dishonesty, falsehood and hypocrisy”. Therefore, in my opinion, to do well in this type of essay, students only need to sincerely present their thoughts and understanding and try to structure the essay following the following 4 steps: 1. Introduction, emphasizing the key word (such as honesty, falsehood, hypocrisy, belief, indifference...); 2. Explain the concept of the key word (what is honesty, belief, falsehood...); 3. Extensive discussion about the key word; relate yourself to the key word...- You have graded high-scoring Literature exams, so what is your impression of a good essay?In short, it is an essay that does not follow a model essay, is well-written, has sufficient ideas, has literary quality, and is different from other essays of the same type. If you are not afraid of being wordy, I am willing to provide an essay of a student who took the entrance exam for group D, Hanoi National University in 2006, you will fully understand my point of view on what a good essay means.- According to you, what is the most important thing in teaching and learning Literature?It is to teach students to see the beauty of literary works. But what is more important is to teach students to think independently, to read and understand a specific text, to express themselves in Vietnamese fluently, correctly, passionately and creatively. I remember, not sure if it is true, but the writer Nguyen Khai gave a very good advice to young writers: "When reading, try to remember. When writing, try to forget." I am against memorization in Literature.- What adjustments should be made to the annual university literature exam to suit the above goals, sir?We should return to the old way of making test questions. Just ask one question in the test. And we should not limit the content of the test to the curriculum. We should encourage the direction of making test questions as concise as possible while still testing students' knowledge of literature. There are 3 criteria that should be noted: understanding the problem and text in the test questions; expressing Vietnamese fluently and clearly; and writing creatively, not repeating textbooks.- Thank you for sharing the above..

Essay of a student taking the entrance exam for block D - VNU in 2006

Question:Present your feelings about the tragedy of the character Vu nhu To in the play Vu nhu To (excerpt learned) by Nguyen Huy Tuong (exam for block D, 2006, question 3 points) Assignment: I will always remember the time I followed my parents to China, the feeling of standing on a neighboring country that was so vast and extremely special, so interesting. China has countless famous landscapes, places to stop, relics... But perhaps, the wonder of the Great Wall left me with the deepest impressions and emotions. I don't know why, but when I stopped here, set foot on that magnificent structure, suddenly my mind flooded with emotions when I first read the play Vu Nhu To by Nguyen Huy Tuong. Pride and regret in the comparison between Cuu Trung Dai and the Great Wall. Is it too awkward, when one side is a world wonder (recognized) and the other side is just a "wonder" in an architect's dream; one side is real, still existing through the years, while the other side is just a pile of ashes in the pages of books? It's awkward, but there are still interesting similarities. The burning of Cuu Trung Dai, as Nguyen Huy Tuong said, was it a joy or a loss? The writer does not know, we do not know either, because Nguyen Huy Tuong wrote the play because of “the same illness as Dan Thiem”. As for us, the readers, the viewers, we are just people looking for answers to the piled-up tragedies that the writer wrote. Vu Nhu To’s tragedy probably comes from his talent, the talent of construction, the talent of using bricks like a Commander “commanding troops and generals”, being able to build tall buildings without placing a single brick wrong, the talent of placing the right person but at the wrong time. In aesthetic theory, tragedy is explained by the cause of the opposition between ideals and reality, the contradiction between human dreams and the insurmountable limits of reality. The tragedy of the character Vu Nhu To is exactly like that! If Vu Nhu To had not been born in the time of the tyrant Le Tuong Duc, in the time when the country was in turmoil, the common people were suffering and starving, then maybe things would have been different, maybe there would still be Cuu Trung Dai? But that is just a hypothesis that if Vu Nhu To were to live again, he might still regretfully put it. We, those who seek answers, can only affirm that nature has its own reasons and Nguyen Huy Tuong also has his reasons. Because he was lucky (or unlucky) to meet Dan Thiem, a talented and beautiful palace maid who fell out of favor, who dared to burn Vu Nhu To's talent, even though he knew it was extremely dangerous. How should we share Vu Nhu To's tragedy, thank him or blame him? Nguyen Huy Tuong himself seems to have no answer. Initially, Vu Nhu To firmly refused to build Cuu Trung Dai, because he knew Le Tuong Duc was a "tyrant". However, it was Dan Thiem who advised him to take this opportunity to build a Cuu Trong Dai "competing with the genius of nature". Vu Nhu To listened, and like the play, at the end, when Cuu Trong Dai was still unfinished, the rebels led by Trinh Duy San rose up to kill the king, Dan Thiem, Vu Nhu To, and burn Cuu Trong Dai. Why was that? Answering this question, we will more or less explain the tragedy of Vu Nhu To, even though it is not easy, because, before this question, Nguyen Huy Tuong himself once admitted his confusion: "Alas, is it Vu Nhu To or those who killed Nhu To? I don't know - Holding a pen, it is just the same disease as Dan Thiem". Vu Nhu To's tragedy originated from the tragedy of class, the kings and lords were debauched, the people were miserable. Vu Nhu To did not belong to the ruling class, but for Cuu Trong Dai, for Beauty, he had to borrow the hand of power. The people were miserable and in pain, many people lost their fathers and sons because of the "art project" Cuu Trung Dai. That is why, in the eyes of everyone, the hatred was mainly focused on Vu Nhu To. Some people also said that the people were "misguided" when they put their hatred in the wrong place. As for Vu Nhu To, who was too passionate about beauty, perhaps he did not foresee this tragedy. His tragedy was the tragedy of the contradiction between beauty and reality, the tragedy of an artist who could not reconcile "paradise" and "miserable place". Vu Nhu To only focused on putting all his efforts into Cuu Trung Dai without paying attention to how much the "common people" and soldiers suffered. Even, because he was worried about Cuu Trung Dai and about beauty, he ordered the execution of those who escaped. On one side was a class conflict, on the other side was an artistic conflict, which conflict would ultimately be resolved? The tragedy of Vu Nhu To, in the end, is that if one conflict is resolved, the other conflict cannot be resolved. Perhaps that is why even the writer Nguyen Huy Tuong could not find an answer? At the end of the play, the king was killed, Dong Cac grand scholar Nguyen Vu committed suicide, the class conflict was pushed to a climax, the class problem was resolved anyway. As for the artist Vu Nhu To's conflict, when he went to the execution ground, it seemed to remain the same: "Oh Dan Thiem! Oh Cuu Trung Dai!". At the end of the play, Vu Nhu To's painful, hoarse cry still seemed to pierce the hearts of readers and viewers. Indeed, Vu Nhu To was superior in talent and dedication to art. When Dan Thiem sincerely advised Vu Nhu To to flee, if he did not lose his life, he still resolutely refused to go, still devoted himself to Cuu Trung Dai "My soul is here, where else can I go?". So, what was superior in Vu Nhu To was what was inferior. The artist does not recognize the times, cannot distinguish right from wrong even in his own artistic world. Is it worth it to exchange that exquisite beauty for the blood and bones of the people? Vu Nhu To only stops at pure beauty, even though it is the beauty of eternity. Meanwhile, the people only value beauty in connection with what is useful in life. Two sides of a problem, but an irresolvable contradiction. Beauty is eternal, but alas, the people cannot understand. They insist on killing Vu Nhu To - the one who harmed so many families, and on destroying Cuu Trung Dai - the luxurious, expensive thing that Vu Nhu To was working hard to build. The tragedy does not end, it temporarily stops at an irresolvable contradiction, and if it is not recognized, it will be a tragedy of eternity. Beauty must go hand in hand with life, beauty cannot be separated from usefulness. I am extremely worried when wondering, in the afterlife, will Vu Nhu To understand? Is it understandable that when he was arrested and tied up, Vu Nhu To still dreamed of building Cuu Trung Dai? Is it understandable that even Thi Nhi?m, Vu Nhu To's wife, still thought he was cruel and turned her back on him? Is it...? Is it...? But perhaps there is no need to ask many more questions. After all, Dai Lon has fallen into disrepair, and Vu Nhu To's tragedy has already happened. We, the readers who respect the writer Nguyen Huy Tuong, should remember Vu Nhu To with the words of Dan Thiem: "Oh, Mr. Ca! Let's say goodbye to him". After reading Vu Nhu To, I felt like there was a sigh in the midst of mixed emotions. The sigh was like a thin breath, blowing a little bit and it would fly away. Tragedy piled on tragedy, tragedy between building - not building, living - not living, beauty - suffering, art - life... What a pity for Vu Nhu To, for Dan Thiem, for Nguyen Huy Tuong and for all of us: Cuu Trung Dai could not have been born, Nguyen Huy Tuong could not find the answer and we could not admire the artistic work of "exquisitely painting with nature" of the talented artist. I am imagining Vu Nhu To one day standing on Cuu Trung Dai, where the warm wind will return and, extremely high up, a kite is flying in the wind...

Author:Thanh Ha

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