1. Full name of the researcher:Dangeryesn ThshitLan Anh2. Gender: Female
3. Date of birth: April 3, 1980 4. Place of birth: Quang Ninh
5. Decision to recognize PhD students No. 1182/QD-SDH dated December 7, 2010 of the Director of Hanoi National University, full-time training form, not concentrated
6. Changes in training process: no
7. Thesis topic name:Formation and development processton and communication cincubateagstainmsstasisHizen
8. Major: Modern and contemporary world history 9. Code: 62.22.50.05
10. Scientific instructor: 1.Assoc. Prof. Dr. Nguyyesn Van Kim
2. Associate Professor, Dr. Hoang Anh Tuyesn
11. Summary of new results of the thesis:
- Thanks to the spirit of creative labor, by the mid-17th century, integrating with the general flow of Asian ceramics, Japanese Hizen ceramics had adapted to the diverse needs of use and enjoyment of domestic and foreign markets.
- Ceramics is not only a simple handicraft industry, but also an important economic sector in Japan.
- Since its establishment and development, Hizen has had a clear export target, isolating very different markets. The separation into many ceramic lines, production techniques demonstratediversityyesng and morningyesoof Japanese.
- Thanks to their proactive and creative spirit, the Japanese have been able to adapt and quickly grasp new techniques and technologies as well as the needs of the world market. After World War II, Japan's rise to become a world economic power was partly due to the inheritance of those valuable legacies.
- In the 17th century, Japan made efforts to bring about great changes:tYesmohwomanohc nhyesp khnyou have beenlivecityohwomanohc centyest khnugstainmsstasisand Hizen is considered a typical part of Japanese culture.
12. Practical applicability: The thesis is a reference document for research and teaching of Japanese history and culture.
13. Further research directions: further research on the impact of Hizen ceramic exports on the Japanese economy and society in the 17th and 18th centuries.
14. Published works related to the thesis:
1. Full name:Nguyen Thi Lan Anh2. Sex: Female
3. Date of birth: April 3, 1980 4. Place of birth: Quang Ninh
5. Admission decision number: 1182/SĐH Dated December 7, 2010 by President of Vietnam National University, Hanoi.
6. Changes in academic process: No
7. Official thesis title:
8. Major: Modern and Contemporary World History 9. Code: 62.22.50.05
10. Supervisors:1. Assoc.Prof. Dr. Nguyen Van Kim
2. Assoc.Prof. Dr. Hoang Anh Tuan
11. Summary of the new findings of the thesis:
- Thanks to the creative working spirit, in the middle of 17thcentury, Japanese Hizen porcelain had integrated into Asian main streams as well as adapted to domestic and international consumer's needs.
- Porcelain is not only traditional handicraft production but a very important line of business in Japan as well.
- Right from the time of formation and development, the exporting purpose is also very clear, targeted to different markets. This market segmentation came from the combination of raw material sources, manufacturing techniques, porcelain ideology and different regional cultural schools, which had produced many distinct lines showing off the Japanese miscellaneous and creative characters.
- The sense of initiative and creativity had helped Japanese people quickly grasp the new manufacturing technique and the international demand. After World War II, that Japan had become a strong economy is due to those good characteristics.
- In the 17th century, Japan had been successful to make a turning point: Japan became a porcelain exporting country from an importing one and Hizen porcelain is evaluated as a typical part of Japanese culture.
12. Practical applicability: The thesis will be a good source of information for those who want to study or teach Japanese history and culture.
13. Further research directions: Further study will focus on the impact of Hizen porcelain exporting on Japanese sociometric status.
14. Thesis-related publications:
Author:Nguyen Thi Lan Anh
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