1. Full name of the doctoral candidate:Dangerễn ThpoopLan Anh2. Gender: Female
3. Date of birth: April 3, 1980 4. Place of birth: Quang Ninh
5. Decision No. 1182/QD-SDH dated December 7, 2010, of the Director of Hanoi National University, recognizing the doctoral student, full-time, non-residential training program.
6. Changes in the training process: none
7. Thesis title:The process of formation and developmenten and exchange cincubateagomsbloatedHilver
8. Major: Modern and Contemporary World History 9. Code: 62.22.50.05
10. Scientific supervisors: 1.Assoc. Prof. Dr. Nguyenễn Van Kim
2. Assoc. Prof. Dr. Hoang Anh Tuan
11. Summary of the new findings of the thesis:
Thanks to its creative spirit, by the mid-17th century, integrating with the mainstream of Asian ceramics, Japanese Hizen ceramics had adapted to the diverse needs and tastes of both domestic and international markets.
Ceramics is not just a simple handicraft industry, but also an important economic sector in Japan.
From its inception and development, Hizen has had a clear export objective, with a highly differentiated market. This separation into various lines of ceramics and production techniques reflects this.polymorphismsir/ma'amcreative and innovativesir/ma'amoof the Japanese people.
- Thanks to their proactive and innovative spirit, the Japanese have been able to adapt and quickly grasp new techniques and technologies, as well as the demands of the global market. After World War II, Japan's rise to global economic power was partly due to inheriting these valuable legacies.
- During the 17th century, Japan made efforts to bring about significant change:tYesmowaterOhsideập khhideu has trlivecity mowaterOhcentat khhideugomsbloatedHizen is considered a quintessential part of Japanese culture.
12. Practical applications: This thesis serves as a reference for research and teaching of Japanese history and culture.
13. Further research directions: more in-depth study of the impact of Hizen ceramic exports on the Japanese economy and society in the 17th and 18th centuries.
14. Published works related to the dissertation:
1. Full name:Nguyen Thi Lan Anh2. Sex: Female
3. Date of birth: April 3, 1980 4. Place of birth: Quang Ninh
5. Admission decision number: 1182/SĐH Dated December 7, 2010 by President of Vietnam National University, Hanoi.
6. Changes in academic process: No
7. Official thesis title:
8. Major: Modern and Contemporary World History 9. Code: 62.22.50.05
10. Supervisors:1. Assoc.Prof. Dr. Nguyen Van Kim
2. Assoc. Prof. Dr. Hoang Anh Tuan
11. Summary of the new findings of the thesis:
- Thanks to the creative working spirit, in the middle of 17thcentury, Japanese Hizen porcelain had integrated into Asian main streams as well as adapted to domestic and international consumer's needs.
- Porcelain is not only traditional handicraft production but a very important line of business in Japan as well.
- Right from the time of formation and development, the exporting purpose is also very clear, targeted to different markets. This market segmentation came from the combination of raw material sources, manufacturing techniques, porcelain ideology and different regional cultural schools, which had produced many distinct lines showing off the Japanese miscellaneous and creative characters.
- The sense of initiative and creativity had helped Japanese people quickly grasp the new manufacturing technique and the international demand. After World War II, that Japan had become a strong economy is due to those good characteristics.
- In the 17th century, Japan had been successful to make a turning point: Japan became a porcelain exporting country from an importing one and Hizen porcelain is evaluated as a typical part of Japanese culture.
12. Practical applicability: The thesis will be a good source of information for those who want to study or teach Japanese history and culture.
13. Further research directions: Further study will focus on the impact of Hizen porcelain exporting on Japanese sociometric status.
14. Thesis-related publications:
Author:Nguyen Thi Lan Anh
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