1. Full name:HOANG CAM GIANG
2. Year of birth: 1983 Sex:Female
3. Contact information:
Phone:
E-mail:gianghoang@ussh.edu.vn
4.Academic titles and degrees:
4.1. Academic Degree: PhDsoldier
4.2. Academic rank: AssociateProfessor
Year of appointment to the position of Associate Professor:2023.
Appointing organization:Faculty of Social Sciences and Humanities, Vietnam National University, Hanoi.
5. Workplace:
Name of organization: Faculty of Social Sciences and Humanities, Vietnam National University, Hanoi.
Laboratory, Department, Center, Faculty, Institute: FacultyLiterature
Agency Address:336 Nguyen Trai Street, Thanh Xuan District, Hanoi
Phone:
E-mail:
6. Training process
Level of education
|
Training location
|
Expertise |
Graduation year |
| University |
University of Social Sciences and Humanities, Vietnam National University, Hanoi
|
Literary theory |
2005 |
| Master's degree |
University of Social Sciences and Humanities, Vietnam National University, Hanoi
|
Literary theory |
2007 |
| Doctor |
University of Social Sciences and Humanities, Vietnam National University, Hanoi |
Literary theory |
2014 |
7. Other training courses(if any)
| Van Bang |
Training course name |
Training location |
Training duration |
| Certificate |
Film screenwriter |
University of Social Sciences and Humanities, Vietnam National University, Hanoi
|
January 2010 – November 2010 |
8.Monographs, textbooks(Author's name; book/textbook title; publisher; place of publication; year of publication)
8.1. Books
[1] Hoang Cam Giang,Vietnamese novels in the early 21st century: structure and trends (monograph),PublisherGrandHanoi National University,2015.
[2]Ly Hoai Thu, Hoang Cam Giang, Trinh Van Dinh, Literature Vietnamese students write about the sea, islands, and coastal areas. (period 1900-2000)(monograph)Women's Publishing House, 2020.
[3] Hoang Cam Giang & Nguyen Thi Thu Thuy (Editors)Vietnamese landscapes in literature and film: cross-cultural approaches.,PublisherGrand learn National family River Interior, 2023.
8.2. Chapter
[1] Hoang Cam Giang (2007), “Short stories of Nguyen Cong Hoan; Nam Cao; Nguyen Khai; Nguyen Minh Chau”, inVietnamese short stories: history, poetics, and portraiture.PhamThanh Hung (editor-in-chief)Education Publishing House, pp. 489-676.
[2] Hoang Cam Giang, “Narratives of the Natural World in Vietnamese Postwar Movies (1986-2020)”, in Environment and Narrative in VietnamPalgrave Macmillan, 2024.
9. Published scientific works
9.1. Number of publications in international journals listed in the Web of Science/SCOPUS database:
9.2. Number of articles published in international journals not included in the Web of Science/SCOPUS database:
9.3. Number of articles published in domestic specialized journals:
9.4. Number of papers submitted to international scientific conferences:
List all the aforementioned publications from the past to the present in chronological order, prioritizing the first lines for the 5 most outstanding and representative works, and works related to the professional issues of the task (author's name, year of publication, title of work, journal name, volume, page number):
[1] 9.1. Number of publications in international journals listed in the Web of Science/SCOPUS database: 06
9.2. Number of articles published in international journals not included in the Web of Science/SCOPUS database: 01
9.3. Number of articles published in domestic specialized journals: 39
9.4. Number of papers submitted to international scientific conferences:
List all the aforementioned publications from the past to the present in chronological order, prioritizing the first lines for the 5 most outstanding and representative works, and works related to the professional issues of the task (author's name, year of publication, title of work, journal name, volume, page number):
1. Cam-Giang Hoang (2020), “Vietnamese and Chinese Movies about Royalty: From Confucian Cosmology to Ecological Politics”,Asian Studies, Issue 2, May 2020, pg. 135-164.(SCOPUS Q1)
2.Giang Hoang (2020), “From Eco-aesthetics to Ecofeminism in Korean and Vietnamese Art Cinema: The Cases ofPoetryby Lee Chang-dong andThe Moon at the Bottom of the Wellby Nguyen Vinh Son”, November 2020, isaa099,https://academic.oup.com/isle/advance-article-abstract/doi/10.1093/isle/isaa099/5956317?redirectedFrom=fulltext.(ISI Q1)
3.HoangCam Giang (2023), “Screening Ecotrauma in the Context of Post-socialism: “The Great Flood” and Local Identities Crisis in Chinese and Vietnamese Independent Films (the Cases ofTaking Father Homeand 2030),Journal of Narrative and Language Studies,Vol. 11, No. 21, pp. 70-84.(SCOPUS Q3)
4.Cam Giang Hoang (2023), “Cityscape Under the Gaze of Migrant Women: The Remagination of Urban World in Vietnamese Independent Films,Journal of Urban Culture Research, Vol 27, pp. 3-17(SCOPUS Q1)
5.Hoang Cam Giang (2024),"Transcultural narratives of Vietnamese landscapes in literature and cinema,Landscapes,Volume 24, pp. 3-17.(SCOPUS Q3)
6. Giang Hoang (2024), “The trend of “films as tourism promotion”: from picturesque landscapes to eco-consciousness in Vietnamese masses,Landscape Research, pp.1–12,DOI:10.1080/01426397.2024.2354376(ISI Q2)
7Hoang Cam Giang (2005), “Autumn Sounds – A Way of Looking at the World and Literature”, MagazineLanguage and Life (10), pp.14-17
8Hoang Cam Giang (2007), “The imprint of Western criticism in the literary history of Southern Vietnam during the period 1945-1975”, MagazineLiterary studies(3), pp.45-60.
9Hoang Cam Giang (2010), “The problem of characters in Vietnamese novels at the beginning of the 21st century”, JournalLiterary Studies(4), pp.90-104.
10. Hoang Cam Giang – Ly Hoai Thu (2011), “a perspective on 'postmodern novels' in Vietnam”, JournalLiterary Studies(6), pp.74-88.
11Hoang Cam Giang (2011), “The penetration and rebirth of some folk narrative patterns in Vietnamese prose from 1986 to the present”, JournalFolklore(1), pp.43-54.
12. Hoang Cam Giang (2011), “Godard’s innovations in Breathless”, JournalWorld of Cinema(4), pp.15-18.
13. Hoang Cam Giang (2011), “Fellini’s 8 ½ - a ‘counter-allegory’ about human limitations”, JournalWorld of Cinema(5), pp.10-12.
14. Hoang Cam Giang (2011), “Tarkovsky’s Ivan’s childhood and the contemplation of an irredeemable world”, JournalWorld of Cinema(6), pp.18-20.
15. Hoang Cam Giang (2012), “On the ‘aesthetic gap’ and the issue of receiving the work Bi, Don’t Be Afraid by contemporary Vietnamese audiences”, Hanoi National University Publishing House, pp. 45-55.
16. Hoang Cam Giang (2012), "On a genre of films by critics",Embracing contemporary art,Hanoi National University Publishing House, pp. 56-66.
17. Hoang Cam Giang (2013), “Vietnam War” in the American cinema (1976-2000),"Vietnam in world history”International conference's Proceeding, Hanoi 12.2013
18. Hoang Cam Giang (2013), “The position and role of female university lecturers from a feminist perspective”, Proceedings of the Conference “Hanoi female intellectuals in the development of the Capital”, Hanoi National University Publishing House.
19. Hoang Cam Giang (2013), “The problem of language and development trends of Vietnamese novels in the early 21st century”, Proceedings of the National Conference on Language and Literature, Hanoi University of Education Publishing House.
20. Hoang Cam Giang (2014). “Contemporary novels as a game world”, Journal of Art Education, No. 15/2015, pp. 102-105
21. Hoang Cam Giang (2014), “Vertigo and Alfred Hitchcock’s “pure cinema”, World Cinema Magazine (8), pp.11-13.
22. Hoang Cam Giang (2014), “L'enfant and artistic creations with “Cannes festival” colors”, World Cinema Magazine (7), pp.11-13.
23. Hoang Cam Giang (2014), “The Vietnam War” through the eyes of American filmmakers (1976-2000)”, Culture and Arts Magazine (366), pp. 11-13.
24. Hoang Cam Giang (2014), “The problem of narrative tone and the division of tendencies in Vietnamese novels at the beginning of the 21st century”, Proceedings of the International Conference “Research and teaching of Vietnamese language and Vietnamese studies in universities” at the University of Social Sciences and Humanities, Hanoi, December 2014.
25. Hoang Cam Giang (2015), The problem of narrative structure and development trends of Vietnamese novels in the early 21st century, Vietnam National University Hanoi Journal of Science, Vol. 31, No. 3, pp. 13-22, August 2015
26. Hoang Cam Giang (2015), “Philosophical questions in Apichatpong’s films”, Culture and Arts Magazine (375), September 2015, pp. 48-51
27. Hoang Cam Giang (2015), Vietnamese Novels in the Early 21st Century – Structure and Trends, National University of Hanoi Publishing House
28. Hoang Cam Giang (2015), “Two Generations of Chinese Directors and the Issue of Literary Reception in Modern Cinema”, Journal of Theatre and Film Studies, No. 7+8, pp. 124-131, November 2015
29. Hoang Cam Giang (2015), “Innovation on the basis of preserving tradition – a development trend of contemporary Vietnamese novels”, Journal of Art Education, No. 9, pp. 100-103, December 2015
30. Hoang Cam Giang (2015), “Genre discourse in Apichatpong’s films viewed from reception theory”, Proceedings of the National Conference on Contemporary Asian Cinema – Historical, Aesthetic and Stylistic Issues (393 pages), pp. 210-238 (28 pages), Hanoi National University Publishing House, December 2015
31. Hoang Cam Giang (2016), “Translation and Adaptation: Intersequential Transformation”, Journal of Literary Studies, No. 2, pp. 54-66, February 2016
32. Hoang Cam Giang (2016), “Long Thanh's Lute Player's Song Lyrics from a Cultural Anthropological Perspective”, Journal of Culture and Arts, No. 381, March 2016
33. Hoang Cam Giang (2016), “The category of “tradition” and discourse on national identity through films of some overseas Vietnamese directors”, book Thirty Years of Renovation in Literature and Sino-Vietnamese Studies: Achievements - Problems - Prospects, National University Publishing House, October 2016
34. Hoang Cam Giang (2016), “Rural - Urban Boundaries in Contemporary Vietnamese Cinema: A Look from Phan Dang Di's Films”, Journal of Urban Culture Research, No. 13 (December 2016), p.62-75
35. Hoang Cam Giang (2016), “The Representation of Historical Material in Vietnamese Novels at the Beginning of the 21st Century”, Journal of Social Sciences and Humanities, Vol. 2, No. 6, December 2016
36. Hoang Cam Giang (2016), “Contemporary Vietnamese Novels on Genre Boundaries”, Journal of Art Education, No. 12, 2016
37. Hoang Cam Giang (2016), “Kurosawa’s Rashomon and the Wisdom of Narrative”, Journal of Art Education, No. 3, 2017
38. Hoang Cam Giang (2017), “National identity and symbolic landscapes: finding traditional spaces in the Vietnamese overseas movies”, in bookThe film industry of Vietnam and Korea: several argumentative and practical issues, University of theater and cinema Ho Chi Minh city (Vietnam) and Dankook University (Korea) co-publish, April 2017.
39. Hoang Cam Giang (2017), Sacred and Mortal: “Funan memory” viewed from “Champa memory”, Journal of Art Education, No. 5.2017, pp. 15-17.
42. Hoang Cam Giang (2017), Phan Dang Di and Apichatpong – hidden intersections (from an ecological perspective),Journal of Art Education, number 7.2017, pp. 69-73.
43. Hoang Cam Giang (2017), “Adapting war literature from 1986-2000: cinema as a way of reading ecofeminism.Journal of Literary Studies,December 2017 issue.
44. Hoang Cam Giang (2017). “Trapped and Liberated: Urbanization or Spatial Dialogues in Phan Dang Di's Films” printed in the bookLiterature, art, and cultural institutions: Interdisciplinary approaches(pp. 108-130),World Publishing House, 2017
45. Hoang Cam Giang (2018),“8 1.2 and Fellini’s dreams”Theatre and Film Magazine, No. 17, April 2018, pp. 57-61.
46.Hoang Cam Giang (2018), “Poetry and the ecofeminist perspective of director Lee Chang-dong”,Journal of Art Education, No. 25, 2018.
47. Hoang Cam Giang (2019), “A dialogue with patriarchal ideology in the film.Flapping Wings in Mid-Air, Arts and Culture Magazine,No. 418 (April 2019), pp. 81-88.
48. Hoang Cam Giang (2019), “Literary author and the big shadow on the screen: the case of film adaptations of Nguyen Minh Chau's short stories”,Journal of Literary and Artistic Criticism, August 2019 issue, pp. 72-82.
49.Hoang Cam Giang (2020), "Dictatorby Charlie Chaplin "The satirical art of a genius,"Journal of Theatre and Film Studies, No. 28, December 2020, pp. 123-128.
50.Hoang Cam Giang (2021), “To combat comparativeism: (de-)the canonization through film adaptations of Ho Bieu Chanh's stories (Case study)(Lord of the Golden Turtle Ship),Journal of Literary Studies, number 3 (589), pp.43-59.
51.Hoang Cam Giang (202)2("Looking backThe sorrow of warFrom the revelation of history to the revelation of fiction,Journal of Art Education, September 2022.
52.Hoang Cam Giang (202)2( The Three Gorges Dam and Independent Chinese Cinema: From Ecological Issues to Indigenous Cultural Identity,Journal of Cultural Studies, No. 1 (199), March 2022, pp. 4-13.
53.Hoang Cam Giang (202)3("Historical narratives from literature to film: adaptation as a journey through texts.,Literary Studies,No. 1 (611), pp. 3-8.
54. Giang Hoang (2024), “The trend of “films as tourism promotion”: from picturesque landscapes to eco-consciousness in Vietnamese masses,Landscape Research, pp.1–12,DOI:10.1080/01426397.2024.2354376.
10. Intellectual property rights have been granted:
| TT |
Name and content of the diploma |
Number, Symbol |
Issuing authority |
Year |
| |
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11. Products applied and transferred:
11.1 Number of science and technology products applied abroad:
11.2 Number of domestically applied science and technology products:
11.3 List the products in detail in the following table:
| TT |
Product name |
Time, form, scale,
applicable address |
Application |
| |
|
|
|
12. Science and technology tasks at all levels that have been chaired or participated in.
12.1 Science and Technology tasks that have been and are currently being led.
| Task Name/Code |
Time
(start - end) |
The task management agency, under the Program
(if any) |
Status
mission
(Accepted/Not Accepted/Not Completed) |
| The trend of maintaining traditional genre forms in Vietnamese literature during the period 2000-2007. |
2009-2011
|
School level |
Acceptance has been completed. |
| The influence of contemporary Asian filmmakers on Vietnamese cinema. |
2016-2018 |
National University level |
Acceptance has been completed. |
Vietnamese eco-cinema and the issue of sustainable development (2000-2020)
Codenumber604.06-2021.01 |
2023-2026 |
NAFOSTED |
Not yet inspected and approved. |
12.2 Science and Technology Tasks that have participated and are currently participating as members
| Task Name/Code |
Time
(start - end) |
The agency responsible for managing the tasks under the Program.
(if any) |
Status
mission
(Accepted/Not Accepted/Not Completed) |
| National-level Special Science and Technology Project: National Geographical Survey of Vietnam: Literature Volume |
2019- |
State level |
Not yet inspected and approved. |
| Intertextuality: Theory and Practice of Vietnamese Literature |
2014-2016 |
National Foundation for Science and Technology Development (NAFOSTED) |
Acceptance has been completed. |
13. Postgraduate training participation (in the last 5 years)
13.1 Number of PhDs trained: 0
13.2 Number of PhD candidates currently being supervised: 01
13.3 Number of master's degree holders trained: 06
14. OTHER INFORMATION ON SCIENCE AND TECHNOLOGY ACTIVITIES
Participating in professional organizations and associations; serving as a member of the editorial boards of domestic and international scientific journals; serving as a member of national and international scientific councils; ...
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