University of Social Sciences and Humanities - VNU

Associate Professor, Dr. Hoang Cam Giang

E-mail	gianghoang@ussh.edu.vn
Position	Senior Lecturer
Unit	Faculty of Literature

Introduction / skills

 

1. Full name:HOANG CAM GIANG                                        
2. Year of birth: 1983                    Sex:Female
3. Contact address:
Phone:
E-mail:gianghoang@ussh.edu.vn
4.Academic title, degree:
4.1. Degree: Doctorofficer
4.2. Academic title: DeputyProfessor
Year appointed to the title of Associate Professor:2023.
Appointing organization:University of Social Sciences and Humanities, Vietnam National University, Hanoi.
5. Working agency:
Agency name: University of Social Sciences and Humanities, Vietnam National University, Hanoi.
Department, Center, Faculty, Institute: FacultyLiterature
Office Address:336 Nguyen Trai, Thanh Xuan, Hanoi
Phone:
E-mail:
6. Training process

Training level	Training place	Expertise	Year of graduation
University	University of Social Sciences and Humanities, Vietnam National University, Hanoi	Literary theory	2005
Master	University of Social Sciences and Humanities, Vietnam National University, Hanoi	Literary theory	2007
Dr.	University of Social Sciences and Humanities, Vietnam National University, Hanoi	Literary theory	2014

7. Other training courses(if any)

Degree	Training course name	Training place	Training time
Certificate	Screenwriter	University of Social Sciences and Humanities, Vietnam National University, Hanoi	1/2010 – 11/2010

8.Monographs, textbooks(Author's name; book title, textbook; publisher; place of publication; year of publication)
8.1. Books
[1] Hoang Cam Giang,Vietnamese novels in the early 21st century: structure and trends (Monograph),PublisherGrandHanoi National University,2015.
[2]Ly Hoai Thu, Hoang Cam Giang, Trinh Van Dinh, Literature Vietnamese studies on seas, islands and coasts (1900-2000 period)(monograph),Women Publishing House, 2020.
[3] Hoang Cam Giang & Nguyen Thi Thu Thuy (Editors),Vietnamese landscapes in literature and cinema: cross-cultural approaches,PublisherGrand learn Country family River Internal, 2023.
8.2. Book Chapters
[1] Hoang Cam Giang (2007), “Short stories by Nguyen Cong Hoan; Nam Cao; Nguyen Khai; Nguyen Minh Chau”, inVietnamese short stories - history - poetics - portrait, PhamThanh Hung (editor-in-chief),Education Publishing House, pp.489-676.
[2] Hoang Cam Giang, “Narratives of the Natural World in Vietnamese Postwar Movies (1986-2020)”, in Environment and Narrative in Vietnam, Palgrave Macmillan, 2024.
9. Published scientific works
9.1. Number of articles published in international journals indexed by Web of Science/SCOPUS:
9.2. Number of articles published in international journals not listed in the Web of Science/SCOPUS index:
9.3. Number of articles published in domestic specialized journals:
9.4. Number of reports participating in International Scientific Conferences:
List all the above publications from the past to present in chronological order, giving priority to the first lines for the 5 most typical and excellent works, works related to the professional issues of the task (author's name, year of publication, work title, journal name, volume, page number):
[1] 9.1. Number of articles published in international journals indexed by Web of Science/SCOPUS: 06
9.2. Number of articles published in international journals not listed in the Web of Science/SCOPUS index: 01
9.3. Number of articles published in domestic specialized journals: 39
9.4. Number of reports participating in International Scientific Conferences:
List all the above publications from the past to present in chronological order, giving priority to the first lines for the 5 most typical and excellent works, works related to the professional issues of the task (author's name, year of publication, work title, journal name, volume, page number):
1. Cam-Giang Hoang (2020), “Vietnamese and Chinese Movies about Royalty: From Confucian Cosmology to Ecological Politics”,Asian Studies, Issue 2, May 2020, pg. 135-164.(SCOPUS Q1)
2.Giang Hoang (2020), “From Eco-aesthetics to Ecofeminism in Korean and Vietnamese Art Cinema: The Cases ofPoetryby Lee Chang-dong andThe Moon at the Bottom of the Wellby Nguyen Vinh Son”, November 2020, isaa099,https://academic.oup.com/isle/advance-article-abstract/doi/10.1093/isle/isaa099/5956317?redirectedFrom=fulltext.(ISI Q1)
3.HoangCam Giang (2023), “Screening Ecotrauma in the Context of Post-socialism: “The Great Flood” and Local Identities Crisis in Chinese and Vietnamese Independent Films (the Cases ofTaking Father Homeand 2030)”,Journal of Narrative and Language Studies,Vol.11, No.21, pp.70-84.(SCOPUS Q3)
4.Cam Giang Hoang (2023), “Cityscape Under the Gaze of Migrant Women: The Remagination of Urban World in Vietnamese Independent Films”,Journal of Urban Culture Research, Vol 27, pp. 3-17. (SCOPUS Q1)
5.Hoang Cam Giang (2024),“Transcultural narratives of Vietnamese landscapes in literature and cinema”,Landscapes,Vol 24, pp.3-17.(SCOPUS Q3)
6. Giang Hoang (2024), “The trend of “films as tourism promotion”: from picturesque landscapes to eco-consciousness in Vietnamese masses”,Landscape Research, pp.1–12,DOI:10.1080/01426397.2024.2354376. (ISI Q2)
7. Hoang Cam Giang (2005), “Autumn Sound – a way of looking at the world and literature”, MagazineLanguage and life (10), pp.14-17
8. Hoang Cam Giang (2007), "The imprint of Western criticism in the literary history of the South from 1945 to 1975", MagazineLiterary research(3), pp.45-60.
9. Hoang Cam Giang (2010), “Character issues in Vietnamese novels in the early 21st century”, JournalLiterary Studies(4), pp.90-104.
10. Hoang Cam Giang – Ly Hoai Thu (2011), “a perspective on "postmodern novels" in Vietnam”, MagazineLiterary Studies(6), pp.74-88.
11. Hoang Cam Giang (2011), “The penetration and rebirth of some folk narrative models in Vietnamese prose from 1986 to present”, JournalFolk Culture(1), pp.43-54.
12. Hoang Cam Giang (2011), “Godard's innovations in Breathless”, MagazineWorld of Cinema(4), pp.15-18.
13. Hoang Cam Giang (2011), “Fellini's 8 ½ - an "anti-parable" about human limits”, MagazineWorld of Cinema(5), pp.10-12.
14. Hoang Cam Giang (2011), “Tarkovsky's Ivan's Childhood and the Contemplation of an Unsalvageable World”, JournalWorld of Cinema(6), pp.18-20.
15. Hoang Cam Giang (2012), “On the “aesthetic gap” and the reception of the work Bi, don't be afraid by the contemporary Vietnamese public”, Hanoi National University Publishing House, pp.45-55.
16. Hoang Cam Giang (2012), "On a genre of films by critics",Reception of contemporary art,Hanoi National University Publishing House, pp.56-66.
17. Hoang Cam Giang (2013), “Vietnam War” in the American cinema (1976-2000),“Vietnam in world history”International conference's Proceeding, Hanoi 12.2013
18. Hoang Cam Giang (2013), “The position and role of female university lecturers from a feminist perspective”, Proceedings of the Workshop “Hanoi female intellectuals in the development of the capital”, Hanoi National University Publishing House.
19. Hoang Cam Giang (2013), “Language issues and development trends of Vietnamese novels in the early 21st century”, Proceedings of the national conference on Language and Literature, Hanoi National University of Education Publishing House.
20. Hoang Cam Giang (2014). “Contemporary novels as a game world”, Journal of Art Education, No. 15/2015, pp.102-105
21. Hoang Cam Giang (2014), “Vertigo and Alfred Hitchcock's “pure cinema”, Cinema World Magazine (8), pp.11-13.
22. Hoang Cam Giang (2014), “L'enfant and artistic creations with the colors of “Cannes festival”, World Cinema Magazine (7), pp.11-13.
23. Hoang Cam Giang (2014), “The Vietnam War” through the eyes of American filmmakers (1976-2000)”, Culture and Arts Magazine (366), pp.11-13.
24. Hoang Cam Giang (2014), “The issue of narrative tone and the division of trends in Vietnamese novels in the early 21st century”, Proceedings of the International Conference “Research and teaching Vietnamese language and Vietnam studies in universities” at the University of Social Sciences and Humanities, Hanoi, December 2014.
25. Hoang Cam Giang (2015), The issue of narrative structure and development trends of Vietnamese novels in the early 21st century, VNU Journal of Science, Volume 31, No. 3, pp.13-22, August 2015
26. Hoang Cam Giang (2015), “Philosophical questions in Apichatpong's films”, Culture and Arts Magazine (375), September 2015, pp. 48-51
27. Hoang Cam Giang (2015), Vietnamese novels in the early 21st century - structure and trends, Hanoi National University Publishing House
28. Hoang Cam Giang (2015), “Two generations of Chinese directors and the issue of literary reception in modern cinema”, Journal of Theatre and Cinema Studies, No. 7+8, pp. 124-131, November 2015
29. Hoang Cam Giang (2015), “Innovation on the basis of preserving tradition – a development trend of contemporary Vietnamese novels”, Journal of Art Education, No. 9, pp.100-103, December 2015
30. Hoang Cam Giang (2015), “Genre discourse in Apichatpong’s films from reception theory”, Proceedings of the National Conference on Contemporary Asian Cinema – issues of history, aesthetics and style (393 pages), pp. 210-238 (28 pages), Hanoi National University Publishing House, December 2015
31. Hoang Cam Giang (2016), “Translation and adaptation: inter-semiotic transformation”, Journal of Literary Studies, No. 2, pp. 54-66, February 2016
32. Hoang Cam Giang (2016), “Long Thanh Guzheng Song from a Cultural Anthropological Perspective”, Journal of Culture and Arts, No. 381, March 2016
33. Hoang Cam Giang (2016), “The category of “tradition” and the discourse on national identity through the films of some overseas Vietnamese directors”, book Thirty years of Innovation in Literature and Han Nom Studies: Achievements – Problems – Prospects, National University Publishing House, October 2016
34. Hoang Cam Giang (2016), “Rural - Urban Boundaries in Contemporary Vietnamese Cinema: A Look from Phan Dang Di's Films”, Journal of Urban Culture Research, No. 13 (December 2016), p.62-75
35. Hoang Cam Giang (2016), “The representation of historical material in Vietnamese novels in the early 21st century”, Journal of Social Sciences and Humanities, vol. 2, no. 6, 12.2016
36. Hoang Cam Giang (2016), “Contemporary Vietnamese novels on genre boundaries”, Journal of Art Education, No. 12.2016
37. Hoang Cam Giang (2016), “Kurosawa's Rashomon and the Wisdom of Narration”, Journal of Art Education, No. 3.2017
38. Hoang Cam Giang (2017), “National identity and symbolic landscapes: finding traditional spaces in the Vietnamese overseas movies”, in bookThe film industry of Vietnam and Korea: several argumentative and practical issues, University of theater and cinema Ho Chi Minh city (Vietnam) and Dankook University (Korea) co-publish, April 2017.
39. Hoang Cam Giang (2017), Sacred and Mortal: “Memories of Phu Nam” seen from “Memories of Champa”, Journal of Art Education, No. 5.2017, pp.15-17.
42. Hoang Cam Giang (2017), Phan Dang Di and Apichatpong – hidden intersections (from an ecological perspective),Art Education Magazine, No. 7.2017, pp.69-73.
43. Hoang Cam Giang (2017), ““Adapting War Literature 1986-2000: Cinema as Ecofeminist Reading”,Journal of Literary Studies,December 2017 issue.
44. Hoang Cam Giang (2017). “Trapped and liberated: urbanization or spatial dialogues in Phan Dang Di's films” printed in bookLiterature, art and cultural institutions: Interdisciplinary approaches(p.108-130),World Publishing House, 2017
45. Hoang Cam Giang (2018),“8 1.2 and Fellini's Dreams”,Theater and Cinema Magazine, No. 17, April 2018, pp.57-61.
46.Huang Jinjiang (2018), “Poetry and the Ecofeminist Perspective of Director Lee Chang-dong”,Art Education Magazine, No. 25, 2018.
47. Hoang Cam Giang (2019), “Dialogue with masculinity in filmFlapping in the Air, Culture and Arts Magazine,No. 418 (April 2019), pp. 81-88.
48. Hoang Cam Giang (2019), “Literary authors and their big shadow on the screen: the case of films adapted from Nguyen Minh Chau's short stories”,Journal of Literary and Art Criticism Theory, August 2019 issue, pp.72-82.
49.Hoang Cam Giang (2020), “The dictatorby Charlie Chaplin - satirical art of a genius”,Journal of Theatre and Film Studies, No. 28, December 2020, pp. 123-128.
50.Hoang Cam Giang (2021), “To fight against comparativeism: (de)canonization through film adaptations of Ho Bieu Chanh's stories (The Case ofLord of the Golden Turtle Ship)”,Journal of Literary Studies, No. 3 (589), pp.43-59.
51.Hoang Cam Giang (2022),“Looking backThe Sorrow of War: from the revelation of history to the revelation of fiction”,Art Education Magazine, 9.2022.
52.Hoang Cam Giang (2022), The Three Gorges Dam and Chinese Independent Cinema: From Ecological Issues to Indigenous Cultural Identity,Journal of Cultural Studies, No. 1 (199), March 2022, pp. 4-13.
53.Hoang Cam Giang (2023),“Historical narrative from literature to cinema: adaptation as a journey through texts”,Literary Studies,No. 1 (611), pp. 3-8.
54. Giang Hoang (2024), “The trend of “films as tourism promotion”: from picturesque landscapes to eco-consciousness in Vietnamese masses”,Landscape Research, pp.1–12,DOI:10.1080/01426397.2024.2354376.
10. Granted intellectual property certificates:

TT	Name and content of the diploma	Numbers, Symbols	Place of issue	Year level

11. Applied and transferred products:
11.1 Number of science and technology products applied abroad:
11.2 Number of domestic applied science and technology products:
11.3 List the products in detail in the following table:

TT	Product Name	Time, form, scale, Applicable address	Uses

12. Science and Technology tasks at all levels chaired or participated in
12.1 Current and past S&T tasks

Mission Name/Code	Time (start - end)	Mission Management Agency, under the Program (if any)	Status mission (accepted/not accepted/not completed)
The trend of novels maintaining traditional genre forms in Vietnamese literature in the period 2000-2007	2009-2011	School level	Accepted
The influence of contemporary Asian cinema authors on Vietnamese cinema	2016-2018	National University Level	Accepted
Vietnamese Eco-Cinema and the Issue of Sustainable Development (2000-2020) Codenumber604.06-2021.01	2023-2026	NAFOSTED	Not yet accepted

12.2 S&T tasks that have been and are being participated in as members

Mission Name/Code	Time (start - end)	Mission Management Agency, under the Program (if any)	Status mission (accepted/not accepted/not completed)
Special National Science and Technology Tasks: Vietnam National Geographic Department: Literature Collection	2019-	State Level	Not yet accepted
Intertextuality: Theory and Practice of Vietnamese Literature	2014-2016	National Foundation for Science and Technology Development (NAFOSTED)	Accepted

13. Postgraduate training participation process (in the last 5 years)
13.1 Number of PhDs trained: 0
13.2 Number of PhD students being guided: 01
13.3 Number of masters trained: 06

14. OTHER INFORMATION ON SCIENCE AND TECHNOLOGY ACTIVITIES
Participate in professional organizations and associations; member of the editorial board of domestic and foreign scientific journals; member of national and international scientific councils; ...
 

•  Prof. Dr. Tran Nho Thin
•  Assoc.Prof.Dr. Pham Thanh Hung
•  Assoc.Prof.Dr. Pham Xuan Thach
•  Assoc.Prof.Dr. Ha Van Duc
•  Associate Professor, Dr. Nguyen Thu Hien
•  Associate Professor, Dr. Hoang Cam Giang
•  Dr. Pham Van Dung
•  Dr. Dinh Thanh Hieu
•  Dr. Nguyen Thi Nam Hoang
•  Dr. Le Van Cuong