8. Monographs and textbooks (Author's name; title of book/textbook; Publisher; place of publication; year of publication)8.1. Books
[1] Nguyen Thi Nam Hoang; Vietnamese Short Stories after 1975 – Identification and Interaction; Hanoi National University Publishing House; 2021.
8.2. Chapter
[1] Nguyen Thi Nam Hoang; “Son Nam's Short Stories”; Vietnamese Short Stories – History, Poetics, Portraits; Education Publishing House; Hanoi; 2007.
9. Published scientific works9.1. Number of publications in international journals listed in the Web of Science/SCOPUS database: 01
9.2. Number of articles published in international journals not included in the Web of Science/SCOPUS database:
9.3. Number of articles published in domestic professional journals and conference proceedings: 15
9.4. Number of papers submitted to international scientific conferences: 04
List all the aforementioned publications from the past to the present in chronological order, prioritizing the first lines for the 5 most outstanding and representative works, and works related to the professional issues of the task (author's name, year of publication, title of work, journal name, volume, page number):
[1] Hoang Thi Nam Nguyen, “Water in the Artistic Representation of the Landscape of Southwestern Vietnam: The Case of The Abandoned Field, The Buffalo Boy, and The Floating Lives”, Landscapes, 2024,
https://doi.org/10.1080/14662035.2023.2291251.
[2] Nguyen Thi Nam Hoang (2023), “The history of mothers and feminist imprint in contemporary narrative (The case of Le Minh Khue's Tropical Monsoon and Tran Thuy Mai's Empress Tu Du)”, Journal of Literary Studies, No. 3 (613) March 2023.
[3] Nguyen Thi Nam Hoang (2022), “The artistic time of Hoang Cam's poetry: Paths back to the old season”, Journal of Literary and Artistic Criticism (2).
[4] Nguyen Thi Nam Hoang (2020), “Garden – A multi-meaning spatial symbol in contemporary Vietnamese short stories”, Journal of Literary and Artistic Criticism (5).
[5] Nguyen Thi Nam Hoang (2020), “Feminine nature in contemporary Vietnamese literature – viewed through artistic symbols”, Journal of Art Education (32).
[6] Nguyen Thi Nam Hoang (2019), “Feminine nature and gender perspective in contemporary Vietnamese literature”, Vietnam Science and Technology Journal, 61 (4).
[7] Nguyen Thi Nam Hoang (2021), "Innovating teaching methods for literature at the university level in the context of the 4.0 industrial revolution", Journal of Art Education, No. 38.
[8] Nguyen Thi Nam Hoang (2015), “Reed grass from Nguyen Minh Chau's literary language to Vuong Duc's film works”, Proceedings of the scientific conference Contemporary Asian Cinema – Historical, aesthetic and stylistic issues, National University of Hanoi Publishing House, Hanoi.
[9] Nguyen Thi Nam Hoang (2016), “Contemporary Vietnamese Short Stories – Genres of Intersecting Regions: Considered from a Linguistic Perspective”, Proceedings of the Scientific Conference on 30 Years of Innovation in Research on Literature, Art and Han Nom: Achievements - Issues - Prospects, National University of Hanoi Publishing House, Hanoi.
[10] Nguyen Thi Nam Hoang (2017), “Femininity in Vietnamese contemporary short story”, Scientific report at the 10th International Convention of Asia Scholars, International Institute for Asian Studies - Leiden University - Netherlands, Thailand.
[11] Nguyen Thi Nam Hoang (2008), “Son Nam – a life and writing with love for Southern Vietnam”, Writer Magazine (9).
[12] Nguyen Thi Nam Hoang (2013), “Some notes on artistic details in contemporary Vietnamese short stories”, Journal of Literary and Artistic Criticism (11).
[13] Nguyen Thi Nam Hoang (2013), “The short story collection 'The Sky Left Behind' by overseas female authors – a medley about fate”, Proceedings of the Scientific Conference on Reception of Literature and Art, National University of Hanoi Publishing House, Hanoi.
[14] Nguyen Thi Nam Hoang (2013), “Outline of the boundaries of contemporary Vietnamese short story genres”, Proceedings of the Scientific Conference on Research and Training in Vietnamese Studies and Vietnamese Language: Theoretical and Practical Issues, National University of Hanoi Publishing House, Hanoi.
[15] Nguyen Thi Nam Hoang (2014), “Title as a multi-valued artistic signal in contemporary Vietnamese short stories”, Proceedings of the scientific conference of young staff and postgraduate students in the academic year 2013 – 2014, National University of Hanoi Publishing House, Hanoi.
[16] Nguyen Thi Nam Hoang (2018), “Love and Family in the Short Fictions of Le Minh Khue and Park Wan-Suh: A Comparative Study”, Scientific report at the International Scientific Conference Korea and Vietnam in the Modern and Contemporary Ages: Comparisons and New Connections, Seoul National University, South Korea.
[17] Nguyen Thi Nam Hoang (2018), “Luu Quang Vu's short stories – between the lines”, Proceedings of the scientific conference Luu Quang Vu – Artistic dialogues, Da Nang Publishing House.
[20] Nguyen Thi Nam Hoang (2019), “Thoughts on teaching literature to students in the digital age and social networks”, Proceedings of the Scientific Conference on Research, Teaching Literature and Prof. People's Teacher Hoang Nhu Mai, Ho Chi Minh City National University Publishing House, Ho Chi Minh City.
[18] Nguyen Thi Nam Hoang (2020), “Golden Dust of Hanoi - From Cultural Dimensions”, Writing and Reading special issue Winter 2020, Vietnam Writers Association Publishing House, Hanoi.
[19] Nguyen Thi Nam Hoang (2023), “Water element in the cinematic representation of the landscape of the Southwestern region of Vietnam - The case of Wild Field, Buffalo Herding Season, Endless Field”, Proceedings of the International Scientific Conference Vietnamese Landscape in Literature and Cinema: Cross-cultural Approaches, National University of Hanoi Publishing House, Hanoi.
[20] Nguyen Thi Nam Hoang (2023), “Le group Thanh Nghi et la modernisation de la litérature vietnamienne des années 1940 - 1945”, Scientific report at the International Scientific Conference Imprimerie, édition et groupes littéraires au Vietnam avant 1945, Aix-Marseille Université, Republic of France.
10. Intellectual property rights have been granted: