INFORMATION ABOUT DOCTORAL THESIS
1. Full name of the researcher:Hoang Thi My Nhi
2. Gender: Female
3. Date of birth: January 23, 1981
4. Place of birth: Thua Thien Hue
5. Decision on recognition of PhD students No. 2798/2012/QD-XHNV-SDH dated December 28, 2012 of the President of the University of Social Sciences and Humanities.
6. Changes in training process: No
7. Thesis topic name:The aesthetic of aware in Japanese literature through the novels The Tale of Genji by Murasaki Shikibu and The Thousand Cranes by Kawabata Yasunari
8. Major: Foreign Literature Code: 62.22.02.45
9. Scientific instructor:Prof. Dr. Nguyen Duc Ninh
10. Summary of new results of the thesis:
- The thesis has covered important theoretical issues and the history of research on Japanese aesthetics in general and the aesthetic awareness in The Tale of Genji and The Thousand Cranes in particular.
- The thesis has shown that the development of aesthetic awareness in ancient and modern times represents a new approach to aesthetics through literature and vice versa.
- The thesis has clarified the basic and inherited characteristics of aware shown in The Tale of Genji and continued in A Thousand Cranes. From there, it clarifies the profound influences of aware in literary life from tradition to modernity.
- The thesis clarifies the changes of aware through comparing the cases of Genji and A Thousand Cranes. From there, it shows Kawabata's skillful assimilation of Japanese cultural values through the aesthetic concept of aware in A Thousand Cranes.
11. Practical application:
Compile reference materials for students majoring in Foreign Literature.
12. Further research directions:
- Research on ancient and modern Japanese literature.
- Research on ancient and modern Japanese aesthetics.
13. Published works related to the thesis:
[1]. Hoang Thi My Nhi (2011), “Beauty in Murasaki Shikibu's Tale of Genji”, Northeast Asian Studies (7), pp.73-78.
[2]. Hoang Thi My Nhi (2012), “Aware of the beauty of nature in The Tale of Genji by writer Murasaki Shikibu”, Northeast Asian Studies (8), pp.67-75.
[3]. Hoang Thi My Nhi (2016), “The sense of nature in Kawabata Yasunari's Thousand Cranes from a traditional perspective”, Northeast Asian Studies (3), pp.74-80.
[4]. Hoang Thi My Nhi (2016), “Kawabata Yasunari's worldview seen from the sense of impermanence in A Thousand Cranes”, Culture and Arts (383), pp. 75-79.
[5]. Hoang Thi My Nhi (2016), “Kawabata Yasunari's Zen perception seen from the concept of the world and human in Thousand Cranes”, Northeast Asian Studies (7), pp. 74-78
[6]. Hoang Thi My Nhi (2017), “Aesthetic awareness in Japanese aesthetic concept”, Culture and Arts (391), pp.109-113.
[7]. Hoang Thi My Nhi (2017), “Symbols in Thousand Cranes from a Psychoanalytic Perspective”, Culture and Arts (396), pp. 74-76.
[8]. Hoang Thi My Nhi (2017), “Existential imprints in Yasunari Kawabata’s A Thousand Cranes”, Literary Studies (8), pp.99-105.
INFORMATION ON DOCTORAL THESIS
1. Full name: Hoang Thi My Nhi 2. Sex: Female
3. Date of birth: January 23, 1981 4. Place of birth: Thua Thien Hue
5. Admission decision number: 2798/2012/QD-XHNV-SĐH on 28thDecember 2012 by the Rector of Hanoi University of Social Sciences and Humanities.
6. Changes in academic process: None
7. Official thesis title: The aware aesthetic in Japanese literature through The Tale of Genji by Murasaki Shikibu and Thousand Cranes by Kawabata Yasunari
8. Major: Foreign Literature Code: 62.22.01.20
9. Supervisors: Prof. PhD. Nguyen Duc Ninh
10. Summary of the new findings of the thesis:
- Covering important theoretical matters and the literature review of studying Japanese aesthetic in general and aware aesthetic in The Tale of Genji and Thousand Cranes in particular.
- Pointing out the development of aesthetics in ancient and modern times and a new approach to aesthetics through literature and vice versa.
- Clarifying the basic and inheritance characteristics of aware aesthetics in The Tale of Genji and Thousand Cranes and pointing out deeply affecting of aware aesthetics in literary life from the past to the modern time.
- Indicating innovations of aware aesthetics by comparing the case of the Tale of Genji and Thousand Cranes and showing the Kawabata's ingeniousness variable in his absorption of Japanese culture reflecting aware aesthetics in Thousand Cranes.
11. Practical applicability, if any:
The research results can be used to compile references in this field for students of foreign literature.
12. Further research directions, if any:
- Studying classical and modern Japanese literature.
- Studying classical and modern Japanese aesthetics.
13. Thesis-related publications:
[1]. Hoang Thi My Nhi (2011), “The beauty in The Tale of Genji by Murasaki Shikibu”, Vietnam Review of Northeast Asian (7), pp.73-78.
[2]. Hoang Thi My Nhi (2012), “Aware aesthetics with natural beauty in The Tale of Genji by Murasaki Shikibu”, Vietnam Review of Northeast Asian (8), pp.67-75.
[3]. Hoang Thi My Nhi (2016), “Sense of nature in Thousand Cranes by Kawabata Yasunari from the traditional view”, Vietnam Review of Northeast Asian (3), pp.74-80.
[4]. Hoang Thi My Nhi (2016), “Worldview of Kawabata Yasunari looks from sense of impermanence in Thousand Cranes”, Culture and Art studies (383), pp. 75-79.
[5]. Hoang Thi My Nhi (2016), “Kawabata Yasunari's meditative feeling looks from the concept of the world and people in Thousand Cranes”, Vietnam Review of Northeast Asian (7), pp. 74-78.
[6]. Hoang Thi My Nhi (2017), “Aware aesthetics in Japanese aesthetics conception”, Culture and Art studies (391), pp.109-113.
[7]. Hoang Thi My Nhi (2017), “Symbols in Thousand Cranes under the psychoanalytic perspective”, Culture and Art studies (396), pp. 74-76.
[8]. Hoang Thi My Nhi (2017), “Impression of existentialism in Thousand Cranes by Kawabata Yasunari”,Literaturestudies (8), pp.99-105.
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