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TTLV: Trauma and Memory in Park Chan-Wook's Films: An Approach to Cinematic Semiotics

Tuesday - 05/04/2022 10:09
1. Student's full name: HUA HOANG MAN 2. Gender: Male
3. Date of birth: July 23, 1993 4. Place of birth: Vung Tau
5. Decision on student admission No. 3617/2018/QD-XHNV dated December 4, 2018, by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in the training process: Extension of study time according to Decision No. 2102/QD-XHNV dated November 10, 2020; Decision No. 703/QD-XHNV dated April 5, 2021; Decision No. 2453/QD-XHNV dated November 19, 2021;
7. Thesis title: Trauma and Memory in Park Chan-Wook's Films: A Semiotic Approach to Cinema.
8. Major: Theory and History of Film and Television Code: 82100232.01
9. Scientific advisor: Dr. Nguyen Thi Nhu Trang - Faculty of Social Sciences and Humanities, Vietnam National University, Hanoi.
10. Summary of the thesis results:
Through our analysis of trauma and memory via the symbolic system in director Park Chan Wook's films, we aim to highlight the director's vision and interpretation of modern and postmodern humanity within the complex interplay of trauma, memory, and forgetting. Park Chan Wook is not only a talented filmmaker but also a brilliant applied psychologist, choosing to explore the challenging subject of human psychology in his trilogy at its most intense and authentic moments.
Generally speaking, the interconnectedness of the symbolic system in Park Chan Wook's films aims to create a narrative structure that bears a very distinct Park Chan Wook imprint.
Park Chan Wook conveys a powerful message about how the pain caused by psychological trauma negatively impacts and directly affects the traumatized individual, causing them harm both mentally and physically, and potentially leading to death.
Comparing Park Chan Wook's work, "Oldboy," with the rich East Asian culture, specifically that of our country, the idea of ​​discarding the old when people fall into painful tragedy leading to unhappiness in order to seek a better future seems incompatible with the deep East Asian cultural heritage of our nation.
11. Practical applications:
12. Future research directions:
13. Published works related to the thesis:
INFORMATION ON MASTER'S THESIS
1. Full name: HUA HOANG MAN 2. Sex: Male
3. Date of birth: July 23, 1993. 4. Place of birth: Vung Tau City
5. Admission decision number: 3617/2018/QD-XHNV Dated December 4, 2018
6. Changes in academic process: Extending the study period according to Decision No. 2102/QD-XHNV dated November 10, 2020; Decision No. 703/QD-XHNV dated April 5, 2021; Decision No. 2453/QD-XHNV dated November 19, 2021;(List the forms of change and corresponding times)
7. Official thesis title: Traumas and memories in Park Chan-Wook's movies: Approaching cinematic semiotics.
8. Major: Theory of film and television history
9. Code: 82100232.01
10. Supervisors: Dr. Nguyen Thi Nhu Trang - University of Social Sciences and Humanities, Vietnam National University, Hanoi.
11. Summary of the findings of the thesis:
Official thesis title: Traumas and memories in Park Chan-Wood's movies: Approaching cinematic semiotics.
With the analysis of trauma and memories through the connection of the sign system in the film by director Park Chan Wook, we aim to emphasize the director's visualization and interpretation of modern and postmodern people. contemporary in the complex interconnection of trauma-memory-forgetfulness categories. Park Chan Wook is not only a talented filmmaker but he is also a talented applied psychologist when he chooses to exploit in a trilogy of works on the difficult topic of human psychology in impulsive moments. and most authentic.
In general, the connection of the sign system in the film Park Chan Wook aims to create a narrative structure bearing Park Chan Wook's mark very clearly.
Park Chan Wook conveys a strong message that the pain of trauma has a negative and direct impact on the traumatized individual, causing them both mental and physical harm. could lead to the death of the injured person.
Comparing Park Chan Wook's work Oldboy with Asian culture, specifically in our country, the eradication of the old when people fell into painful tragedy leads to unhappiness in search of a future. A better future for each human being is thought to be difficult to match with the nation's rich Asian culture.
12. Practical applicability, if any:
13. Further research directions, if any:
14. Thesis-related publications:

Author:Vu Nga

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