TTLA: Typical artistic symbols in Vietnamese poetry from 1930 to 1945

1. Full name of PhD student: Pham Duc Cuong 2. Gender: Male.

3. Date of birth: October 19, 1982 4. Place of birth: Hai Phong.

5. Decision on recognition of PhD student No. 2798/2012/QD-XHNV-SDH, dated December 28, 2012, by the President of the University of Social Sciences and Humanities.

6. Changes in training process: No.

7. Thesis topic name:Typical artistic symbols in Vietnamese poetry from 1930 to 1945.

8. Major: Literary Theory 9. Code: 62 22 01 20.

10. Scientific advisor: Associate Professor, Dr. Tran Khanh Thanh.

11. Summary of new results of the Thesis:

- The thesis has conducted research and presented basic theoretical frameworks on the issue of symbols and artistic symbols.

- Based on research and analysis, the thesis presents comments and viewpoints on the origin of symbols in Vietnamese poetry in the period 1930 - 1945. In particular, it focuses on analyzing the social origin and the difference in psychological origin and aesthetic concepts in the process of creating symbolic systems in romantic poetry (New Poetry) and revolutionary poetry.

- The thesis is the first scientific work to systematically and relatively completely set out and research the system of typical artistic symbols in New Poetry 1932 - 1945, typical artistic symbols in Revolutionary poetry 1930 - 1945 (through typical authors and works).

- The research results of the Thesis have clarified the value of typical artistic symbols in Vietnamese poetry in the period 1930 - 1945; contributed to a comprehensive and profound assessment of artistic thinking and poetic characteristics of poetic trends; affirmed the ideological, aesthetic values ​​and unique creative talents of typical poets in this period.

12. Practical applicability: This work can be a research, teaching and learning document for romantic poetry and Vietnamese revolutionary poetry from 1930 to 1945 for lecturers and students at universities; for teachers and students at high schools. At the same time, it can also be a useful reference source for researchers, theorists and modern literary critics when studying, evaluating and analyzing Vietnamese poetry from 1930 to 1945.

13. Further research directions: Continue to research the issue of artistic symbols in modern Vietnamese poetry.

14. Published works related to the thesis:

- Pham Duc Cuong (2019), "Symbols of light and darkness in the poetry collectionFrom then onof To Huu",Science Magazine(34), pp. 6-13.

- Pham Duc Cuong (2019), “Butterfly wings - a typical artistic symbol in Nguyen Binh's love poems”,Education and Society Magazine(Special Issue No. 2, November), pp. 27-33.

- Pham Duc Cuong (2020), "Typical artistic symbols of revolutionary ideals in Vietnamese revolutionary poetry from 1930 to 1945",Education and Society Magazine(Special issue April 2020), pp. 33-39.

INFORMATION ON DOCTORAL THESIS

1. Full name: Pham Duc Cuong 2. Sex: Male

3. Date of birth: October 19, 1982 4. Place of birth: Hai Phong

5. Admission decision number: 2798/2012/QD-XHNV-SDH dated December 28, 2012 by Rector of University of Social Studies and Humanities.

6. Changes in academic process: None.

7. Official thesis title:Typical artistic symbols in Vietnamese poetry in the 1930-1945 period.

8. Major: Literary theory 9. Code: 62 22 01 20.

10. Supervisor: Assoc. Prof. Dr. Tran Khanh Thanh.

11. Summary of the new findings of the thesis:

- The thesis has conducted research and presented the basic theoretical frameworks for symbolism and artistic symbols.

- On the basis of research and analysis, the thesis has expressed some remarks and viewpoints on the origins of the symbols in Vietnamese poetry in the period 1930-1945. In particular, it has focused on analyzing social origins and differences in psychological roots, the aesthetic conceptions in the process of the birth of symbolic systems in romantic poetry (New poetry) and Revolutionary poetry.

- The thesis is the first research work which proposed and investigated the artistic symbols in New poetry in the 1932-1945 period as well as those in Revolutionary poetry in the 1930-1945 era (through representative authors and works) in a systematic and comprehensive way.

- The results of the thesis have clarified the values ​​of typical artistic symbols in Vietnamese poetry between 1930 and 1945, which helps to contribute to a comprehensive and profound assessment of artistic thinking and poetic characteristics of poetry trends; thus affirming the unique ideological, aesthetic and creative values ​​of the distinctive poets in this period.

12. Practical applicability, if any: This thesis could be a useful research, teaching and learning material for Romantic poetry and Revolutionary poetry in the period 1930-1945 at the tertiary and high school levels. Besides, it could be a practical scientific reference for researchers whose interests are modern literary theory and review for their studying, analyzing and evaluating Vietnamese poetry in this period of time.

13. Further research directions, if any: Continue to research the artistic symbols in modern Vietnamese poetry.

14. Thesis-related publications:

- Pham Duc Cuong (2019), “Symbols of light and darkness in “The first” poem of To Huu”,Science Journal(34), pp. 6-13.

- Pham Duc Cuong (2019), “Butterfly wings” - a typical artistic symbol in Nguyen Binh's love poetry,Education and Society Journal(Special publication No.2, November), pp. 27-33.

- Pham Duc Cuong (2020), “The typical artistic symbol of the revolutionary ideal in Vietnam revolution poetry in the period 1930-1945”,Education and Society Journal(Special April publication), pp. 33-39.