INFORMATION ABOUT THE DOCTORAL THESIS
1. Full name of the doctoral candidate:Doan Minh Tam
2. Gender: Male
3. Date of birth: April 19, 1982
4. Place of birth: Hanoi
5. Decision to recognize doctoral students No. 3216//2014/QD-XHNV-SDH, dated December 31, 2014, by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in the training process: None.
7. Thesis title:The art of Vietnamese lục bát poetry in the 20th century (Through some representative authors).
8. Major: Vietnamese Literature Code: 62.22.01.21
9. Scientific supervisor:Prof. Dr. Le Van Lan
10. Summary of the new findings of the thesis:
- This section provides a detailed description of the four major periods of development of lục bát poetry in the 20th century, including the periods 1900–1932; 1932–1945; 1945–1975; and 1975–2000, focusing on the authors, main themes, fundamental achievements, and identifying the representative lục bát poets for each period.
- Highlight artistic innovations by specifically presenting variations in sound, tone, rhyme, and rhythm of the six-eight verse form.
- Present in detail the structures of a six-eight syllable poem, such as narrative structure, lullaby structure, sequential structure, call-and-response structure, etc., and the artistic innovations of these structures in six-eight syllable poems composed in the 20th century compared to six-eight syllable poems from previous periods.
- Analyze some major artistic techniques in 20th-century lục bát poetry, such as reciting verses from the Tale of Kiều, using allusions and historical references, and wordplay... thereby highlighting the achievements in the artistic innovation of lục bát poetry by poets in the 20th century.
- Identify and analyze several artistic techniques such as familialization, grandiosity, lullaby, contrast, and tragic heroism in the construction of three representative lục bát (six-eight syllable) symbols in the 20th century: the symbol of Ho Chi Minh, the symbol of the mother, and the symbol of the soldier.
11. Practical applications:
This is a research document for secondary school teachers and anyone interested in the lục bát (six-eight syllable) verse form.
12. Future research directions:
Lục bát (a traditional Vietnamese poetic form) by young writers in the early years of the 21st century.
13. Published works related to the dissertation:
- Doan Minh Tam (2014), “Some initial sketches of To Huu's innovations in lục bát poetry”, Military Arts and Literature Magazine (801), pp. 98-101.
- Doan Minh Tam (2016), “The image of Uncle Ho in lục bát poetry”, Military Arts and Literature Magazine (837+838), pp. 155-159.
- Doan Minh Tam (2016), “The art of wordplay in lục bát poetry”, Writer & Works Magazine (5+6), pp. 98-99.
- Doan Minh Tam (2017), “Overview of research directions on lục bát poetry in Vietnam in the 20th century”, Journal of Science - Hanoi Pedagogical University 2 (47), pp. 81-88.
- Doan Minh Tam (2017), “Some initial surveys on variations in tone, rhyme, and rhythm of 20th-century lục bát”, Journal of Literary Studies (4), pp. 91 – 101.
- Doan Minh Tam (2017), “Some thoughts on Nguyen Binh's six-eight verse”, Military Arts and Literature Magazine (872), pp. 117 – 120.
INFORMATION ON DOCTORAL THESIS
1. Full name: Doan Minh Tam 2. Sex: Male
3. Date of birth: Apr 19th, 1982 4. Place of birth: Hanoi
5. Admission decision number: No. 3216/2014 / QD-XHNV-SDH, Date: Dec 31st, 2014 Signed by the Rector of University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in academic process: None
7. Official thesis title: Vietnamese Alexandrine art in 20thcentury (through some representative authors)
8. Major: Vietnamese Literary Code: 62.22.01.21
9. Supervisors: Professor, Doctor Le Van Lan
10. Summary of the new finding of the thesis:
- A detailed description of the four major phases of alexandrine in the twentieth century: 1900 - 1932; 1932 - 1945; 1945 - 1975; 1975 - 2000 on the on aspects of the authors, the main themes, the main achievements and typical authors for each stage.
- List artistic innovations by presenting specific variations in in terms of words, accents, tone, rhythm of alexandrine.
- Describe in detail the structures of a alexandrine, such as the structure of storytelling, continuity, conversation... and the artistic renewal of those structures in the alexandrine in 20th century compared to those of the previous period.
- Analyze a number of major artistic measures in alexandrine of 20th century, such as such as Kieu practices, use of histories, playing on words, ... thereby highlighting the achievements in the artistic innovation of the alexandrine of poets in the 20th century.
- Explain and analyze some of the modes of art such as the mode of familyization, the mode of grandism, the mode of lullaby, the mode of opposition, the mode of heroism in the construction of three typical alexandrine icons in the 20th century: Ho Chi Minh, mothers, and soldiers.
11. Practical applicability, if any:
Make research materials for high school teachers who are interested in alexandrine.
12. Further research directions, if any:
Alexandrine of young writers in the early years of the 21st century.
13. Thesis – related publications:
- Doan Minh Tam (2014), “A few early sketches of the artistic innovation of alexandrine of To Huu”, Journal of military literature and arts (801), pp. 98-101.
- Doan Minh Tam (2016), “The image of Uncle Ho in the alexandrine”, Journal of military literature and arts (837 + 838), pp. 155 - 159.
- Doan Minh Tam, “The art of playing on words in the alexandrine”, Journal of Writers & Works (5 + 6), pp. 98-99.
- Doan Minh Tam (2017), “An overview of research Vietnamese alexandrine in 20th century”, Journal of Science - Hanoi Pedagogical University 2 (47), pp. 81-88.
- Doan Minh Tam (2017), “A few initial surveys of variations in accents, speeds and linguistics, rhythm of alexandrine in the 20th century”, Journal of literary studies (4), 91-101.
- Doan Minh Tam (2017), “Some thoughts on alexandrine of Nguyen Binh”, Journal of military literature and arts (872), pp. 117-120.
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