Information on the thesis "Indian culture in the works of Ho Anh Thai" by HVCH Nguyen Thi Kim Thanh, majoring in Literary Theory.1. Full name of student: Nguyen Thi Kim Thanh 2. Gender: Female. 3. Date of birth: December 20, 1986. 4. Place of birth: Thai Binh City, Thai Binh Province. 5. Student recognition decision No. 1355/2008/QD-XHNV-KH&SĐH dated October 24, 2008 by the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi. 6. Changes during the training process: None. 7. Thesis topic: Indian culture in the works of Ho Anh Thai. 8. Major: Literary theory; Code: 60 22 32. 9. Scientific supervisor: Associate Professor, Dr. Tran Khanh Thanh, Vice Dean of the Graduate School - Vietnam National University, Hanoi. 10. Summary of the results of the thesis: Our thesis exploits the topic of Indian culture in Ho Anh Thai's writings (through three works: Sigh through the golden gorse forest; Buddha, Savitri and I; Namaskar! Hello India). Through that, we can see some of the typical characteristics of Indian culture, the obsession of Indian culture in Ho Anh Thai's writings, as well as the writer's "attitude" towards the complex material of this ancient culture. From there, we can understand and explain the value, origin and characteristics of Ho Anh Thai's style. In chapter 1 (Culture and inspiration from Indian culture in Ho Anh Thai's writings), the author has gone into solving general issues: cultural identification, the relationship between culture - literature, the direction of writing inspired by foreign cultures, the picture of Indian culture as well as the relationship between Ho Anh Thai - the country and people of India. This is the basis and premise for the author to examine the methods of approaching and processing Indian cultural materials as well as the discovery of the Indian world through the pen of Ho Anh Thai in the following chapters. Chapter 2 (The picture of Indian culture and society and Buddhist inspiration in Ho Anh Thai's writings) has recreated a multi-dimensional mosaic picture of the past - present of human character and society in the land of Ganga; Studying a characteristic feature in Ho Anh Thai's philosophy of life: Buddhist inspiration and the influence of this inspiration in the writer's writings. Thereby, helping readers initially penetrate the spiritual world and social life of the Indians, which is still considered an attractive land but not easy to explore. Chapter 3 (Ho Anh Thai's methods of approaching and processing Indian cultural materials) Surveys and analyzes Ho Anh Thai's techniques of processing Indian cultural materials. The prominent artistic methods that the writer has applied to integrate the Indian cultural flow in his works are: the method of handling magical materials; the flexibility in using the narrator, the narrative point of view and finally the lively polyphonic tone. The thesis hopes to be a reference document to help readers approach the Indian world in general and in the works of Ho Anh Thai in particular.
INFORMATION ON MASTER'S THESIS
1. Full name: Nguyen Thi Kim Thanh. 2. Sex: Female. 3. Date of birth: December 20, 1986. 4. Place of birth: Thai Giang, Thai Thuy, Thai Binh Province. 5. Admission decision number: 1355/2008/QD-XHNV-KH&SDH Dated October 24, 2008. 6. Changes in academic process: No. 7. Official thesis title: Indian Culuture in the works of Ho Anh Thai. 8. Major: Literature Theory 9. Code: 60 22 32. 10. Supervisors: Prof. Tran Khanh Thanh, Ph.D, Vice head of the Faculty of After Graduate, Vietnam National University. 11. Summary of the findings of the thesis: This thesis aims to provide an analysis of Indian culture in three works of Ho Anh Thai. From there, the thesis will search and explain the value, source and writing style of Ho Anh Thai. Chapter 1 (Culture and source of inspiration about Indian culture in works of Ho Anh Thai), we solve the general issues such as: the culture definition, the relationship between culture – literature, the way of writing that gets inspiration from foreign culture, as well as the sentiment of Ho Anh Thai to India. These are basic, premise to study the way of settling Indian culture materials and discovering Indian world through Ho Anh Thai's pages as following chapters. Chapter 2 (Picture of Indian society – culture and Buddhist inspiration in the works of Ho Anh Thai) shows about character of Indian people and society; searching a profile in Ho Anh Thai's view: Buddhism inspiration and effection on Ho Anh Thai's writing. Then, helping reader into spirit world and society of India that is very complicated. Chapter 3 (The way to settle Indian cultural materials of Ho Anh Thai) surveys and analyzes the way to settle Indian culture of Ho Anh Thai. Specific-art modes are used in the works of Ho Anh Thai, including: miraculous, narrator and point of view, tongue narrative. Writing about Indian theme, Ho Anh Thai had especial, forcible and quite impressive way. In the future, hope that we will continue to be reading the profound writing pages of Ho Anh Thai about Indian nation and people. Hope that the thesis can be reference document for those interested in Indian culture – society as well as Ho Anh Thai's works.
