TTLV: Buddhist thought expressed through conceptual metaphors in the lyrics of Quan Ho folk songs of Bac Ninh.

INFORMATION ABOUT THE MASTER'S THESIS

1.Student's full name:HE LI SHA2. Gender:Female

3. Date of birth:28/10/2000                                        4. Place of birth:Guangxi, China

5. Decision to recognize student number:6998/QD-XHNVDay18 month 12 year 2024 by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi

6. Changes in the training process:Do not have

(Note the types of changes and the corresponding times)

7. Thesis title:Buddhist thought is expressed through conceptual metaphors in the Quan Ho folk songs of Bac Ninh.

8. Major: VietnameseAndrologyCode: 8310630

9. Scientific supervisor:Associate ProfessorDr. Nguyen Van Chinh - University of Social Sciences and Humanities

(Please specify your scientific title, academic degree, full name, and workplace.)

10.Summary of the thesis results:

-In theory:

This study examines Lakoff & Johnson's theory of metaphor through the distinctive Buddhist metaphors in Quan Ho folk songs of Bac Ninh ("the word 'suffering' represents misery, the word 'boat' represents compassion"), differing from Indo-European perceptions, thereby constructing an analytical framework suitable for the tonal language and oral literature of Vietnam. Simultaneously, the study proposes a new approach to the dissemination of Buddhism through folklore, clarifying the reception and restructuring of Buddhist thought among the common people, particularly the integration of doctrine with indigenous agricultural culture.

ButIn practical terms:

This study analyzes Buddhist thought and conceptual metaphors in Quan Ho folk songs of Bac Ninh, providing a theoretical basis for heritage preservation, moral education, and cultural tourism development. The research results contribute to fostering a sense of preservation and national pride, while also opening avenues for international exchange and promoting understanding between civilizations in the context of globalization.

-In terms of social and cultural significance:

Research into deciphering Buddhist metaphors in Quan Ho folk songs helps communities better appreciate their traditional culture. The results can be applied to community cultural activities, enhancing pride and attachment to national identity among the people, especially young people, thereby building cultural confidence. At the same time, the compassionate and wise ideas in the lyrics serve as a valuable reference for moral education and spiritual life, promoting a harmonious and tolerant society.

This research clarifies the blending of Buddhism and indigenous agricultural culture in Quan Ho folk singing, thereby enriching our understanding of Vietnam's diverse cultural structure. Simultaneously, the systematization of Buddhist metaphors opens up avenues for intercultural dialogue, demonstrating the creative and transformative capacity of Vietnamese culture in absorbing foreign ideas, providing arguments for affirming national identity in the context of globalization.

(Summarize the results of the thesis, emphasizing any new findings.)

11.Practical applications: (if any)

This research has high practical applicability in heritage conservation, cultural tourism development, moral education, and international exchange. The research findings can be transformed into specialized tourism products, heritage education materials, and cultural education curricula, helping to improve conservation effectiveness, promote local economic development, and disseminate Buddhist philosophical values ​​in contemporary life.

12.Further research directions: (if any)

Based on the results obtained, the research can be expanded in the following directions.likeExpanding the scope of the survey to other folk song genres such as Ca Tru, Cheo, and Quan Ho from other regions... to compare and contrast the ways in which Buddhist thought is expressed in each art form, thereby painting a comprehensive picture of the presence of Buddhism in Vietnamese folk literature.

13. Published works related to the thesis: None

INFORMATION ON MASTER'S THESIS

1.Full name:HE LI SHA                     2. Sex:Female

3. Date of birth:28/10/2000                             4. Place of birth:China

5. Admission decision number:No. 6998/QD-XHNVDated December 18, 2024 by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.

6. Changes in academic process:None

(List the forms of change and corresponding times)

7. Official thesis title: Buddhist Thought Expressed through Conceptual Metaphors in the Lyrics of Bac Ninh Quan Ho Folk Songs

8. Major: Vietnam Studies                             9. Code:8310630

10. Supervisors:Assoc. Prof. Dr. Nguyen Van Chinh – University of Social Sciences and Humanities, Vietnam National University, Hanoi

(Full name, academic title and degree)

11. Summary of the findings of the thesis:

ButTheoretical Significance:

This study validates Lakoff & Johnson's metaphor theory through the distinctive Buddhist metaphorical system in Bac Ninh Quan ho folk songs ("dang truong" for suffering, "boat" for compassion), which differs from Indo-European cognition, thereby constructing an analytical framework suited to tonal languages ​​and oral literature in Vietnam. Concurrently, the study proposes a new approach to the dissemination of Buddhism through folk literature, clarifying the reception and restructuring of Buddhist thought among the common people, particularly the integration of Buddhist doctrines with indigenous agricultural culture.

ButPractical Significance:

This study analyzes Buddhist thought and conceptual metaphors in Bac Ninh Quan ho folk songs, providing a theoretical foundation for heritage conservation, moral education, and cultural tourism development. The findings contribute to raising awareness of preservation and national pride, while also opening up directions for international exchange and promoting cross-civilizational understanding in the context of globalization.

ButSocial and Cultural Significance:

The study decodes Buddhist metaphors in Quan Ho, deepening community appreciation for traditional culture. Its findings can inform community cultural activities, strengthen people's connection to their heritage, especially among youth, and reinforce cultural confidence. The compassionate and wise messages embedded in the lyrics serve as valuable resources for moral education and spiritual life, fostering a harmonious and inclusive society.

Moreover, the study elucidates the integration of Buddhism with indigenous agricultural culture in Quan Ho, enriching our understanding of Vietnam's diverse cultural structure. Systematizing these Buddhist metaphors opens up new directions for intercultural dialogue, demonstrating Vietnam's creative capacity to transform foreign ideas and providing arguments for affirming national identity in the context of globalization.

(Summarize them with stress on thenew sensations, if any)

12. Practical applicability, if any: This research has strong practical applicability in heritage preservation, cultural tourism, moral education, and international exchange. The findings can be translated into thematic tourism products, heritage education materials, and cultural teaching programs, thereby enhancing conservation efforts, promoting local economic development, and spreading Buddhist philosophical values ​​in contemporary life.

13. Further research directions, if any:Based on the findings, future research could expand the scope to other folk song genres such as ca tru, cheo, and quan ho from other regions, enabling comparative analysis of how Buddhist thought is expressed across different art forms and providing a more comprehensive picture of Buddhism's presence in Vietnamese folk literature.

14. Thesis-related publications: None