1. Student's full name:Nguyen Ngoc Hung2. Gender: Male
3. Date of birth: 24/05/1976
4. Place of birth: Ho Chi Minh City
5. Decision to recognize student number: 3617/2018/QD-XHNVday04/12/2018of the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in the training process:
-Extend study timefirst time:No. 2102/QD-XHNV dated November 10, 2020 of the President of the University of Social Sciences and Humanities).
-Extend study time2nd time:No. 703/QD-XHNV dated April 5, 2021of the Rector of the University of Social Sciences and Humanities
7. Thesis topic name:The Art of Using Color in Director Zhang Yimou's Films
8. Major:Theory, history of cinema and television; CodeNumber: 8210232.01
9. Scientific instructor:Associate Professor, Dr. Phan Thi Bich Ha, Head of the Department of Stage and Cinema Arts, Van Lang University
10. Summary of thesis results:
- NResearch the function of color in Zhang Yimou's films, to clarify the importance of using color in cinematic art, and to understand the mechanism of color formation in Zhang Yimou's films.
- DirectorZhang Yimou uses color to create emphasis, to shape characters, and to express emotions. Color is an important element that supports storytelling and opens up a new and larger emotional space for the viewer.
- Director Zhang Yimou hasTurn color into symbol and artistic styleseparatefor the movieme. Works ofgrandfatherWith its investment in color, it has had a real impact on the film market as well as filmmakers.,enrich the aesthetic experience of Chinese audiencesCountryand international audiences with distinctive color schemes.
11. Practical application:
-Through the works of using colors very reasonably and effectively.Director Zhang Yimou, can draw out the following points to note:In the art of cinema, the aesthetic requirements of the viewerfori color in movie,not limited to the level of accessreceivesimply,that it demandsaskat a higher level,thereTo bemust have artistic expression.can:Thosegbasic colorusedThe film must express the ideological content and style of the work through the creation of images.,treatreasoncolor...Characters and settings must be appropriate to the story,inthereincludes character traits and personality, social appearance, timeDyes, geography, weather...Color relationships in filmnot onlydetailed description in color processing art,vahIt is not only about creating realistic colors, but also about the cameraman's understanding of properties and correlations, the ability to coordinate andyesmoundfor the work.SavemindThe unique artistic function of color,nhyesI do bring out the thoughts, feelings, and artistic ideas that the filmmaker wants.want to put inin the work..
12. Further research directions: (if any)
13. Published works related to the thesis:
INFORMATION ON MASTER'S THESIS
1. Full name: NGUYEN NGOC HUNG 2. Sex: Male
3. Date of birth: May 24th, 1976 4. Place of birth: Ho Chi Minh City
5. Admission decision number: No.3617/2018/QD-XHNV, signed by President of University of Social Sciences and Humanities, Hanoi National University on December 4th, 2018
6. Changes in academic process:
- 1st Extension of study period: Decision No.2102/QD-XHNV November 10th, 2020 issued by the President of the University of Social Sciences and Humanities.
- 2nd Extension of study period: Decision No.703/QD-XHNV April 5th, 2021 issued by the President of the University of Social Sciences and Humanities.
7. Official thesis title: The Artistic Use of Colors in Zhang Yimou's Films.
8. Major: Theory, History, and Criticism of Film and Television;
9. Code: 8210232.01
10. Supervisors: Assoc.Prof.Dr. Phan Thi Bich Ha, Head of the Faculty of Art, Stage, and Movie, Van Lang University
11. Summary of the findings of the thesis:
- Researching the functions of colors used in Zhang Yimou's Films, in order to clarify the importance of using colors in cinematic art, while exploring the forming factors of colors in his films.
- Zhang Yimou uses colors to make impressions, form characteristics and express feelings. Color is an essential element that supports in telling a story as well as opening a fresh and wider dimension of emotions to the audiences.
- Zhang Yimou has turned colors into his unique symbol and style in the movies he made. Many of his works with great investments in colors, have been making practical influence to the cinema market along with movie producers, and enriching the artistic experiences of Chinese and world wide audiences with excellent color selections.
12. Practical applicability, if any:
- Throughout Zhang Yimou's logically colorized creations, important notes can be taken: In the art of feature films, the viewer's aesthetic requirements for the colors in the film are not limited to simple reception, but also require a higher level which is artistic expression. specific: The basic colors used in the film must express the ideological content and style of the film through shaping and processing colors... Characters and Foregrounds should be suitable with the story contents, including unique styles and characteristics, social appearances, timelines, weather conditions… The connection of colors in movies can not bemeasuredsimply by only the colors detailing process, and the aim to make the colors look realistic, but also depends on the knowledge of the film maker about attributes and correlations, the ability to coordinate and construct the work. Notify the unique artistic function of colors, with a focus on highlighting the thoughts, feelings, and artistic ideas that filmmakers want to include in their work.
13. Further research directions, if any:
14. Thesis-related publications:
