TTLV: The relationship between Cao Ba Quat's literary concept and creation.

MASTER'S THESIS INFORMATION

1. Student's full name: Phung Thi Ngan 2. Gender: Female

3. Date of birth: May 31, 1990 4. Place of birth: Hanoi

5. Student recognition decision No. 2797/2012/QD-XHNV-SDH dated December 28, 2012 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.

6. Changes in training process: No

7. Thesis topic: The relationship between literary concepts and Cao Ba Quat's creations.

8. Major: Vietnamese Literature; 9. Code: 60 22 01 21

10. Scientific instructor:

Assoc. Prof. Dr. Tran Nho Thin – Lecturer, Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.

11. Summary of thesis results:

- The thesis explores the cultural and literary context of Vietnam in the second half of the 18th century - the first half of the 19th century, especially when the Nguyen Dynasty unified the country. In that general context, author Cao Ba Quat puts forward the concept of promoting the authenticity of feelings and emotions, criticizing the poetry of the Nguyen Dynasty royal family for its emphasis on form and lack of emotion, authenticity and creative personality. From there, it helps readers perceive the new and positive meaning in Cao Ba Quat's literary concept for the time.

- Theoretical research thesis "flexibility"In Chinese literary theory, Vietnamese literature, especially analyzed to highlight the characteristics of the theory"flexibility" in the creative concept of Cao Ba Quat.

- The thesis analyzes the expression of Cao Ba Quat's creative concept (focusing on the theory of "flexibility”) in the subject, poetic form and poetic language of Cao Ba Quat. From there, it is clarified that Cao Ba Quat's literary concept has a close relationship and influences his works in both content and artistic form, forming his own style.

12. Practical applicability (if any): no

13. Further research directions (if any): none

14. Published works related to the thesis: none

INFORMATION ON MASTER'S THESIS

1. Full name: Phung Thi Ngan 2. Sex: Female

3. Date of birth: May 31, 1990 4. Place of birth: Hanoi

5. Admission decision number 2797/2012/QD-XHNV-SDH Dated December 28^th, 2012 of the Rector of University of Social Sciences and Humanities, Vietnam National University, Hanoi.

6. Changes in academic process: No

7. Official thesis title: The relationship between Cao Ba Quat's literature concept and his writing

8. Major: Vietnamese Literature 9. Code: 60 22 01 21

10. Supervisors: Ass.Prof. PhD. Tran Nho Thin, Lecturer in Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.

11. Summary of the findings of the thesis:

- The thesis is to search the background of Vietnamese culture and literature from the second half of the 18th century to the first half of the 19th century, especially when Nguyen dinasty unified the country. In this background, Cao Ba Quat generated the concept giving the prominence to the reality of sentiment and feeling, criticizing the literature stream of Nguyen dinasty for the lack of life sentiments and creative personality. The concept helps the readers acknowledge the proceeding meaning – creativeness in his literature concept with the current background.

- The thesis is to research “spirit” theory in the theory of Chinese and Vietnamese literature, particularly analyze to highlight characteristics of “spirit” theory in the composing concept of Cao Ba Quat.

- The thesis is to analyze the expression of composing concept of Cao Ba Quat (the focus is “spirit” theory) in topics, poem genres and the poem language of Cao Ba Quat. As a result, it clears that his literature concept has a strong relationship and effect on his works in both content and art-form.

12. Practical applicability, if any: No

13. Further research directions, if any: No

14. Thesis-related publications: No