1. Student's full name: Truong Van Tri 2. Gender: Male
3. Date of birth: January 27, 1978
4. Place of birth: Ho Chi Minh City
5. Decision on recognition of students No. 1765/2018/QD-XHNV June 28, 2018 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi
6. Changes in the training process: Extension of study time according to Decision No. 542/QD – XHNV dated May 4, 2020
(record the forms of change and the corresponding time)
7. Thesis topic: Tran Tuan Hiep's style of directing television documentary films (Through Border Report, Sea and Island Report, Golden Autumn Report)
8. Major: Theory of Cinema and Television Arts; Code: 8210232.01
9. Scientific advisor: Associate Professor, Dr. VU NGOC THANH - Ho Chi Minh City University of Theatre and Cinema.
(Clearly state scientific title, academic degree, full name and working organization)
10. Summary of thesis results:
(summarize the results of the thesis, emphasizing new results if any)
Research results on director Tran Tuan Hiep's style in making television documentary films:
Expressing auteurism through directorial style: According to that auteurism, director Tran Tuan Hiep has combined relatively smoothly the elements of filmmaking techniques:
In terms of writing style: Combining literature (language of memoirs, reports) and cinema (images, sounds, montage of short films). In terms of language and form: Combining television journalism (video journalism) and television documentary (staging, connecting documents, witnesses). In terms of genre: Combining genres: portrait memoir-travel memoir, journey memoir-discovery-travel; combining interviews of written newspapers and interviews of video journalism. In terms of technique: Combining storytelling and narration, between the narrative of the story and the narrative of the narrator.
In many of his television documentaries, such as Sea and Island Documentary, Border Guard Documentary, director Tran Tuan Hiep clearly demonstrates the documentary style:
Ensure strict orientation of historical and political factors and updating of current issues.
In terms of content, the films Sea and Island Chronicles and Border Chronicles reflect a relatively diverse, in-depth and unique approach to issues related to seas, islands, and borders; demonstrate public interest in the issue of seas and islands and sovereignty over seas and islands; promote patriotism and awareness of protecting sovereignty over seas and islands and borders; and provide the public with a large amount of historical knowledge and data, legal values about seas and islands, sovereignty over seas and islands...
In many of his other television documentaries, especially Golden Autumn Chronicles, to enhance the lyricism of reality, objects and characters described through the story, director Tran Tuan Hiep often favors the style:
The staging of a simple, smooth system of images creates attraction from the story, objects, and characters reflected. Using commentary, the reader's commentary (Nguyen Huu Chien Thang) rises and falls to create attraction. Using a narrator (Nguyen Huy Hoang is an example) with the status and qualities of a drama and cultural expert, in addition to creating persuasion, also aims to create curiosity and stimulate exploration of the reflected object.
About staging style:
Always respect the role of editing (see editing as everything), but edit in a minimalist style, not fussy, not using many editing techniques. After filming on location (usually filming directly, the director is often the narrator), often edit in a minimalist style, without or rarely edit contrast, edit flashback. Rarely use foreign documents, materials, witnesses in the film; use witnesses (in the form of story characters in the story) Consistently, throughout with a harmonious, smooth combination of elements: image, sound, narrative, storytelling style, narration, commentary... creating a difference in the overall system of directorial techniques.
About narrative and lyrical style:
Narrative and lyrical qualities are the prominent styles of director Tran Tuan Hiep. When narrative and lyrical qualities are combined with aestheticism and sentimentalism, they create a unique appeal.
11. Practical application: (if any)
12. Further research directions: (if any)
13. Published works related to the thesis:
(list projects in chronological order if available)
INFORMATION ON MASTER'S THESIS
1. Full name: Truong Van Tri 2. Sex: Male
3. Date of birth: 27thJanuary 1978 4 Place of birth: Ho Chi Minh City
5. Admission decision number: 1765/2018/QD-XHN; Dated 28thJune 2018
6. Changes in academic process: Extend the study time under Decision No. 542 / QD - XHNV on May 4, 2020.
(List the forms of change and corresponding times)
7. Official thesis television title: “Director style Tran Tuan Hiep in making reports (ThroughThe Memorandum of the Border, The Memorandum of Sea and IslandsandThe Memorandum of Golden Autumn)”
8. Major: Theory of Art Cinema and Television 9. Code: 8210232.01
10. Supervisors: Associate Professor Ph.D Vu Ngoc Thanh - Ho Chi Minh City University of Theater and Cinema
(Full name, academic title and degree)
11. Summary of the findings of the thesis:
Research results of director style Tran Tuan Hiep in making television reports:
Expressing authority through director style:
According to authorism, director Tran Tuan Hiep had a relatively smooth combination of the tactics of making films:
About the expression: Combining literature (the language of memoir, reportage) and cinema (pictures, sounds, mongtage of cinema short films). About the type of language: Combining television journalism (video journal) and TV documentary films (staging, connecting documents, testimony). About the genre, combining genres: portrait, journey- discovery-travel calendar; combining interview of written newspaper and video interview. About the tactics: Combining storytelling and narrating, between narrating the story and narrating the narrator.
In lots of his television reports, such as The Memorandum of the Sea and The Memorandum of the Border, the director Tran Tuan Hiep clearly shows the documentary style:
Ensure strict orientation to historical, political and up-to-date issues.
About the content, the The Memorandum of the Sea and The Memorandum of the Border are relatively diverse, have depth and approach, showing the issues related to the islands, borders; demonstrate the attention of public opinion on the issue of sea and islands and sovereignty over the sea and islands; propagating patriotism and the sense of protecting the sovereignty over sea, islands and borders; also, it provides the public with a large amount of knowledge and historical data, legal values about sea and islands, sovereignty over sea and islands ...
In many other television reports, especially The Memorandum of Golden Autumn, in order to enhance the lyricality of reality, things and characters are depicted through the
narrated story, directed by Tran Tuan Hiep often prefer:
The choreography of a simple, smooth image system, creating the attraction from the story, things, characters is reflected. Using the comment, the comment reader (Nguyen Huu Chien Thang) swung up and down to create attraction. Using narrator (Nguyen Huy Hoang as an example) with the qualities and characteristics of a drama, cultural expert, in addition to the purpose of convincing, to create curiosity and stimulate discovery about the object is reflected.
Regarding staging style:
Always attach importance to the role of editing (considering film editing is everything), but editing in a minimalistic style, not fussy, not using a lot of editing tactics. After filming in the field (often in direct shooting, the director is often a narrator) often edit the film with a minimal style, no contractions or rarely contrasts, reminiscent of editing, foreign documents and testimony in films; use testimony (in the form of a story's character in Consistency, throughout with a harmonious, smooth combination between elements: image, sound, narration, storytelling style, narration, and words)... makes a difference in the overall system of director tactics.
Regarding the narrative and lyrical style:
Narrative, lyrical style is the striking style of director Tran Tuan Hiep.
When narrative, lyricism is combined with aestheticism and idealism creating its own attraction.
12. Practical applicability, if any:
13. Further research directions, if any:
14. Thesis-related publications:
(List them in chronological order)
Author:ussh
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