1. Student's full name: Truong Van Tri 2. Gender: Male
3. Date of birth: January 27, 1978
4. Place of birth: Ho Chi Minh City
5. Decision on student admission No. 1765/2018/QD-XHNV dated June 28, 2018, by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in the training process: Extension of the study period according to Decision No. 542/QD-XHNV dated May 4, 2020
(Note the types of changes and the corresponding times)
7. Thesis Title: The Directing Style of Tran Tuan Hiep in Television Documentary Films (Through Border Guard Documentary, Island and Sea Documentary, Golden Autumn Documentary)
8. Major: Theory of Film and Television Arts; Code: 8210232.01
9. Scientific supervisor: Assoc. Prof. Dr. Vu Ngoc Thanh – Ho Chi Minh City University of Theatre and Film.
(Please specify your scientific title, academic degree, full name, and workplace.)
10. Summary of the thesis results:
(Summarize the results of the thesis, emphasizing any new findings.)
Research findings on director Tran Tuan Hiep's style in making television documentaries:
Expressing authorship through directorial style: Following that authorship, director Tran Tuan Hiep has relatively skillfully combined various filmmaking techniques:
Regarding writing style: Combining literary (the language of essays and reportage) and cinematic (images, sound, and montages of short films). Regarding genre language: Combining television journalism (television journalism) and television documentaries (staging, connecting documents and witnesses). Regarding genre: Combining genres: biographical essays - travel essays, journey-exploration-travel essays; combining interviews from print journalism and interviews from television journalism. Regarding techniques: Combining storytelling and narration, combining the narrative aspect of the story with the narrative aspect of the narrator.
In many of his television documentaries, such as "Sea and Island Chronicles" and "Border Guard Chronicles," director Tran Tuan Hiep clearly demonstrates a documentary-style approach:
Ensuring strict adherence to historical and political factors, and keeping up with current events.
In terms of content, the documentary films about islands and maritime affairs reflect a relatively diverse, in-depth, and unique approach to issues related to islands, borders, and border defense; they demonstrate public concern about the issue of islands and maritime sovereignty; they promote patriotism and awareness of protecting maritime sovereignty and border defense; and they provide the audience with a large amount of historical knowledge and data, as well as legal values regarding islands and maritime sovereignty.
In many of his other television documentaries, especially "Golden Autumn Chronicle," to enhance the lyrical quality of the reality, objects, and characters described through the story, director Tran Tuan Hiep often favored the following style:
The narrative is structured into a smooth, coherent system of images, creating appeal through the story, objects, and characters depicted. The use of commentary, with the narrator (Nguyen Huu Chien Thang) varying in pitch and tone, adds to the narrative's captivating effect. The use of a narrator (Nguyen Huy Hoang, for example), with the demeanor and qualities of a drama and cultural studies expert, serves not only to create persuasiveness but also to generate curiosity and stimulate exploration of the subject matter.
Regarding the staging style:
Always valuing the role of editing (considering it everything), but editing in a minimalist style, without excessive embellishments or flashback techniques. After filming on location (often live, with the director often acting as the narrator), editing is usually done in a minimalist style, with little or no contrast or flashback. Foreign documents, materials, or witnesses are rarely used in the film; instead, witnesses are used (as characters in the story). Consistency and a harmonious, seamless combination of elements: images, sound, plot, storytelling style, narration, commentary… create a distinctiveness within the overall system of directorial techniques.
Regarding narrative and lyrical style:
Narrative and lyrical elements are the prominent styles of director Tran Tuan Hiep. When narrative and lyrical elements are combined with aestheticism and sentimentality, they create a unique appeal.
11. Practical applications: (if any)
12. Future research directions: (if any)
13. Published works related to the thesis:
(List the works in chronological order if available)
INFORMATION ON MASTER'S THESIS
1. Full name: Truong Van Tri 2. Sex: Male
3. Date of birth: 27thJanuary 1978 4 Place of birth: Ho Chi Minh City
5. Admission decision number: 1765/2018/QD-XHN; Dated 28thJune 2018
6. Changes in academic process: Extend the study time under Decision No. 542 / QD - XHNV on May 4, 2020.
(List the forms of change and corresponding times)
7. Official thesis television title: “Director style Tran Tuan Hiep in making reports (ThroughThe Memorandum of the Border, The Memorandum of Sea and IslandsandThe Memorandum of Golden Autumn)”
8. Major: Theory of Art Cinema and Television 9. Code: 8210232.01
10. Supervisors: Associate Professor Ph.D Vu Ngoc Thanh - Ho Chi Minh City University of Theater and Cinema
(Full name, academic title and degree)
11. Summary of the findings of the thesis:
Research results of director style Tran Tuan Hiep in making television reports:
Expressing authority through director style:
According to authorism, director Tran Tuan Hiep had a relatively smooth combination of the tactics of making films:
About the expression: Combining literature (the language of memoir, reportage) and cinema (pictures, sounds, mongtage of cinema short films). About the type of language: Combining television journalism (video journal) and TV documentary films (staging, connecting documents, testimony). About the genre, combining genres: portrait, journey- discovery-travel calendar; combining interview of written newspaper and video interview. About the tactics: Combining storytelling and narrating, between narrating the story and narrating the narrator.
In lots of his television reports, such as The Memorandum of the Sea and The Memorandum of the Border, the director Tran Tuan Hiep clearly shows the documentary style:
Ensure strict orientation to historical, political and up-to-date issues.
About the content, the The Memorandum of the Sea and The Memorandum of the Border are relatively diverse, have depth and approach, showing the issues related to the islands, borders; demonstrate the attention of public opinion on the issue of sea and islands and sovereignty over the sea and islands; propagating patriotism and the sense of protecting the sovereignty over sea, islands and borders; also, it provides the public with a large amount of knowledge and historical data, legal values about sea and islands, sovereignty over sea and islands ...
In many other television reports, especially The Memorandum of Golden Autumn, in order to enhance the lyricality of reality, things and characters are depicted through the
narrated story, directed by Tran Tuan Hiep often prefer:
The choreography of a simple, smooth image system, creating the attraction from the story, things, characters is reflected. Using the comment, the comment reader (Nguyen Huu Chien Thang) swung up and down to create attraction. Using narrator (Nguyen Huy Hoang as an example) with the qualities and characteristics of a drama, cultural expert, in addition to the purpose of convincing, to create curiosity and stimulate discovery about the object is reflected.
Regarding staging style:
Always attach importance to the role of editing (considering film editing is everything), but editing in a minimalistic style, not fussy, not using a lot of editing tactics. After filming in the field (often in direct shooting, the director is often a narrator) often edit the film with a minimal style, no contractions or rarely contrasts, reminiscent of editing, foreign documents and testimony in films; use testimony (in the form of a story's character in Consistency, throughout with a harmonious, smooth combination between elements: image, sound, narration, storytelling style, narration, and words)... makes a difference in the overall system of director tactics.
Regarding the narrative and lyrical style:
Narrative, lyrical style is the striking style of director Tran Tuan Hiep.
When narrative, lyricism is combined with aestheticism and idealism creating its own attraction.
12. Practical applicability, if any:
13. Further research directions, if any:
14. Thesis-related publications:
(List them in chronological order)
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