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TTLV: Village culture in contemporary six-eight poetry

Wednesday - May 11, 2011 09:57
Information on the thesis "Village culture in contemporary six-eight poetry (through the poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru)" by HVCH Nguyen Van Dong, majoring in Literary Theory.
Information on the thesis "Village culture in contemporary six-eight poetry (through the poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru)" by HVCH Nguyen Van Dong, majoring in Literary Theory.1. Full name of student: Nguyen Van Dong 2. Gender: Male 3. Date of birth: October 1, 1980 4. Place of birth: Dong Xuan - Soc Son - Hanoi 5. Decision to recognize student No. 1355/QD-XHNV-KH&SĐH, dated October 24, 2008 by the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi 6. Changes in the training process: None 7. Thesis topic: Village culture in contemporary six-eight poetry (through the poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru). 8. Major: Literary theory; Code: 60.22.32 9. Scientific supervisor: Associate Professor - Doctor: Doan Duc Phuong - Head of the Faculty of Literature - University of Social Sciences and Humanities - Vietnam National University, Hanoi 10. Summary of the results of the thesis: The thesis is a survey of village culture in contemporary Vietnamese six-eight poetry (through the poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru) from a cultural perspective. In researching this topic, we do not have the ambition to offer new interpretations different from the opinions of previous researchers and critics, but only apply existing achievements to evaluate the subject specifically according to the research direction with many prospects today - Researching literature from a cultural perspective. From there, we can see a more general and complete view of the six-eight poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru and contemporary six-eight poetry; help us understand: Village culture is the origin, a main feature in the cultural identity of Vietnam, protecting village culture is also protecting the national cultural identity in the current era of globalization. The poetry of Nguyen Duy, Dong Duc Bon, Pham Cong Tru has brought our souls back to the cultural values ​​that have shone for thousands of years in the national soul. Poetic emotions originate from the most simple things in daily life and are expressed through a unique way of thinking, feeling and language, images, and structure. Their poetry has created a picture of the Vietnamese countryside with the most typical features of a traditional Vietnamese village. That is the countryside with banyan trees, communal house roofs, ferry, betel trellis, areca rows, kites, rivers, fields with the fragrant scent of new rice, the sound of temple bells filled with the color of time... At the same time, it also sketches a portrait of the countryside being tossed about in the new era. Along with the natural scenery, through the works of these modern country poets, we also encounter the profound spiritual beauty of the Vietnamese people through the images of grandmothers, mothers, sisters, grandfathers, fathers... they are the embodiment of the quintessence of the Vietnamese countryside. With their fragrant souls, they are the places to preserve and illuminate the beauty and soul of Vietnamese culture. Nguyen Duy, Dong Duc Bon, Pham Cong Tru are poets with unique discoveries in the art of expression. Coming to their poetic world, we see that all three poets follow the "immutable" rules of traditional six-eight poetry but also have many innovations and creative innovations to keep up with the changes of contemporary poetry. At the same time, the construction of a system of symbols and images that are characteristic of the Vietnamese countryside, and especially the way of expressing a unique voice, a unique language melody - both folk and modern, has shown us the innate talents, born and nurtured by the original values ​​with profound humanistic meaning - village culture. Returning to the source of village culture with an attitude of respect and praise is also the way they want to preserve and nurture the traditional cultural values ​​of the nation in the face of new dangers. A truly admirable direction! 11. Practical applicability: - The thesis can be used as a reference document for studying and researching issues with the same object and scope of research. 12. Further research directions: No 13. Published works related to the thesis: No

INFORMATION ON MASTER'S THESIS

1. Full name: Nguyen Van Dong 2. Sex: Male 3. Date of birth: October 1, 1980 4. Place of birth: Dong Xuan- Soc Son- Ha Noi 5. Admission decision number: 1355/QD-XHNV-KH&SĐH dated October 24th 2008 by Rector of Hanoi University of Social Sciences and Humanities - Vietnam National University, Hanoi. 6. Changes in academic process: None 7. Official thesis title: : Rural culture in contemporary poetries written in the sin-eight-word distich metre (via poetries of Nguyen Duy, Dong Duc Bon, Pham Cong Tru) 8. Major: Literary theory 9. Code: 60.22.32 10. Supervisors: Assoc. Prof., PhD. Doan Duc Phuong – Dean of the Faculty of Literature- Hanoi University of Social Sciences and Humanities - Vietnam National University, Hanoi. 11. Summary of the findings of the thesis: The thesis is a work studying rural culture in Vietnam's contemporary poetries written in the sin-eight-word distich metre (via poetries of Nguyen Duy, Dong Duc Bon and Pham Cong Tru) under cultural point of view. Studying this topic, we are not ambitious to give new interpretations differing from former assessments of researchers, critics but applying current achievements to evaluate the object particularly in the direction of studying with many prospects at present – ​​Studying literature under cultural point of view. From there to find a more general and comprehensive view on poetries written in the sin-eight-word distich metre of Nguyen Duy, Dong Duc Bon and Pham Cong Tru and contemporary poetries written in the sin-eight-word distich metre; helping us to understand: rural culture is the origin, is a major feature in Vietnamese cultural characters, protecting rural culture is also to protect national characters in the current globalization. Poetic language of Nguyen Duy, Dong Duc Bon and Pham Cong Tru has brought our soul back to cultural values ​​existing thousands of years in the national soul. Poetic emotions were originated from the most ordinary and simple things in everyday life and were represented with a thought, an emotion together with particular, original words, images and structures. Their poetries have built up a Vietnamese rural picture with the most typical features of a traditional Vietnamese village. This is the village with banyan-trees, communal house's roofs, river wharfs, betel frames, areca-nut lines, kite's wrings, rivers, with fragrant fields of new rice's perfume, with the sound of church's bell worrying of time color….and at the same time drawn up a portrait of villages raggedly thrown in new epoch. Together with natural color, through the works of modern rural poets, we also encounter the deep soul beauty of Vietnamese people through images of grandmothers, mothers, elder sisters, sisters, grandfathers, fathers…they are an embodiment for the most quintessence of Vietnam rural villages. With sweet soul, they are people who store and light beauty, spirit of Vietnamese culture. Nguyen Duy, Dong Duc Bon and Pham Cong Chu are poets with original discoveries in the art of expression. In their poetry world, we find that all of the three poets comply with “immutable” regulations of traditional poetries written in the sin-eight-word distich metre but also contain much innovation, creation to catch up with changes of contemporary poetries. And at the same time, the building of systems of symbols, images characteristic for Vietnamese villages and especially the expression of a personal tone, a personal language melody – both folk and modern has shown us innate talents born and brought up with original values ​​with profound humanism – rural culture Coming back to rurally cultural origin with respectable, praised attitude is the way by which they want to preserve, bring up traditional cultural values ​​of our nation before new risks. What a respectable direction! 12. Practical applicability, if any: The thesis can serve as an academic reference for studies of similar subjects and issues. 13. Further research directions, if any: None 14. Thesis-related publications: None

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