Information about the thesis "Vietnamese lục bát poetry in the New Poetry Movement 1932-1945" by graduate student Vu Thi Hang, majoring in Vietnamese Literature.1. Full name of student: Vu Thi Hang 2. Gender: Female 3. Date of birth: April 1, 1983 4. Place of birth: Tien Du – Bac Ninh 5. Decision number recognizing the student: 2551/2007/QD-XHNV-KH&SDH dated November 2, 2007, by the Rector of the University of Social Sciences and Humanities – Vietnam National University, Hanoi. 6. Changes during the training process: None. 7. Thesis title: Vietnamese six-eight verse poetry in the New Poetry movement 1932-1945 8. Specialization: Vietnamese Literature; Code: 60 22 34 9. Scientific supervisor: Prof. Dr. Le Van Lan; ; Department of Vietnamese Literature - Faculty of Literature - University of Social Sciences and Humanities - Vietnam National University, Hanoi 10. Summary of thesis results: Vietnamese six-eight verse poetry in the New Poetry Movement 1932-1945 The period 1932-1945 was not only a crucial turning point in Vietnamese social history, but for the national literature, it marked a milestone in the renewal of literature towards modernization. This period saw the emergence of two literary movements: realism and romanticism. The birth of the New Poetry Movement officially closed the period of medieval Vietnamese literature, opening a new direction for Vietnamese literature in general and Vietnamese poetry in particular. During this period, the Vietnamese language was cherished, respected, and used as a tool for poetic creation. Six-eight verse poetry – the "soul" of the nation – continued to develop during this period. The New Poetry movement nurtured and modernized the traditional Vietnamese six-eight verse form, presenting it to readers with a new appearance and style that was both familiar and novel. The emergence of the New Poetry movement marked a renewal of Vietnamese literature in all aspects: ideology, content, and form. During this period, poets expressed their deep and passionate love for their homeland, country, and people through descriptions of nature with simple, rustic, and unadorned features. They depicted healthy, gentle, and kind Vietnamese people with shy, discreet, and delicate love affairs. The six-eight verse form of this period returned closer to tradition, yet still carried the spirit of the new era. The art of six-eight verse poetry during this period also saw many significant innovations, evident in the arrangement and structure of stanzas and lines. The rhythm was fresh and novel, with new ways of enjambment, pauses, punctuation within lines, and impressive beginnings and endings. The imagery in Vietnamese lục bát poetry is rich in metaphors and symbolism, with suggestive rather than descriptive forms. The language is flexible, highly expressive, and musical. The lục bát form underwent significant changes during this period due to: shifts in social life, changes in the artistic thinking of the writers, and changes in the aesthetic tastes of the audience. It became rich in both content and form. However, this was only the beginning, a stepping stone to the innovative creations of modern lục bát. Modern lục bát from 1975-2000 was even more novel, fresh, and captivating. This affirms that lục bát remains enduring and a sacred asset of Vietnamese culture. The mission of Vietnamese poetry is to bring the essence of Vietnamese lục bát to readers worldwide, honoring its noble beauty. 11. Practical applications: None 12. Future research directions: None 13. Published works related to the thesis: None
INFORMATION ON MASTER'S THESIS
1. Full name: Vu Thi Hang 2. Sex: Female 3. Date of birth: April 1, 1983 4. Place of birth: Tien Du - Bac Ninh 5. Admission disision number: 2551/2007/QD-XHNV-KH&SĐH; Date: November 2, 2007 6. Changes in academic process: no 7. Official thesic title: Alexandrine Vietnam in the new romantic movement Poems 1932-1945 8. Major: Vietnam Literature; Code: 60 22 34 9. Officer Instructor: Prof. Le Van Lan; Agency work: Department of Literature and Vietnam- Faculty of Arts - University of Social Sciences and Humanities-Vietnam National University Hanoi. 10. Summary of thesis: Alexandrine Vietnam in the new romantic movement Poems 1932-1945 Period 1932 - 1945 period is not only a milestone in the history of Vietnam society, but for the literature of this country are marking the innovation literature in the direction of modernization. This stage there are two mainstream literary realism and romance. The birth of the new poetry movement officially closes Chinese literature of Vietnam, opens new directions for Vietnam's literature in general and Vietnam in particular poetry. During this period, the Vietnamese language is cherished, appreciated and is a tool for composing poetry. Besides the emergence of new forms of poetry, the poetic tradition can still be mobile for developing new appearance, the new term. Alexandrine - "it than" the nation's continued development in this period. The poet has a new mobile support, as strange peoples of continental dishes, continental dishes make people come to the reader to look, new style, just newly acquainted strangers. Poetry Movement marks the birth of innovation in Vietnam literature on all aspects of thought, content and form of the work. Poetry from the "we" collectively the "I" provides individuals with all levels of emotional love, hate, angry, sulky. At the onset of this phase rich by sadness, desperate loneliness and desire for liberation. This stage, the poets express love dearly, deeply to the native land and people of Vietnam through the description of natural scene with a single fiber traits, rustic simplicity. There are strong and people of Vietnam, gentle honest relationship with the shy, discreet, subtle.Continental cup back to the period near the traditional, but still breathing new era. Alexandrine art of this period are also many innovations, innovation clearly reflected in the arrangement, layout stanza, lines of poetry. Rhythm new, unfamiliar with how clear the line, pauses, punctuation between lines, ending the opening poem impressive. Poetic images that appear more symbolic metaphor, imagery suggestive than described.Transformation language poetry flexible, rich imagery, has a high expressive power, rich music. Bowl record at this stage there are considerable changes: the change of social life, thinking and creators of art, the aesthetic tastes of the receiving object change. Continental dishes rich in both content and form. However, this is just the beginning, the first step of the creative innovations of modern continental dishes. Modern bowl record period 1975 - 2000 new, modern period, much more enjoyable. That green bowl has confirmed the existence, forever sacred property of the Vietnamese culture. The mission of poetry is to give Vietnam the essence of Vietnamese continental dishes to be with readers around the world to honor the noble beauty of the green bowl of Vietnam. 11. Ability to practical applications: None 12. The next research: None 13. Published works related to the thesis: None
