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TTLV: Music in Tran Anh Hung's movies

Wednesday - April 7, 2021 03:13
1. Student's full name: Vu Minh Nghia 2. Gender: Male
3. Date of birth: March 30, 1984.
4. Place of birth: Hai Phong
5. Decision on recognition of students No. 3617/2018/QD-XHNV dated December 4, 2018 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi
6. Changes in the training process: Extension Decision No. 2102/QD-XHNV dated November 10, 2020
7. Thesis topic name:Music in Tran Anh Hung's movies
8. Major: Theory, history of cinema and television 9. Code: 8210232.01
10. Scientific instructor: Associate Professor, Dr. Phan Thi Bich Ha - Head of the Department of Stage and Cinema Arts - Van Lang University
11. Summary of thesis results:
Through the research topic: Music in Tran Anh Hung's films, the thesis has achieved the following results:
  • Cinema has learned to absorb the implied capabilities of other art forms, including music. Music in films accompanies images, contributing to supporting the visual part of the film to illustrate the ideas of the work and the theme of the work.
  • One of the elements that creates the aesthetic and especially poetic cinematic language of French-Vietnamese director Tran Anh Hung is music. Tran Anh Hung's unique use of music has created a globalized atmosphere in his cinematic language that is very suitable for the current integration trend of Vietnam.
  • This is not a new topic but few people have done it and it is really in-depth. The research results will contribute to clarifying the effectiveness of music in films, its role as an element that creates the film's cinematic language.
  • The study has clarified the relationship as well as the close working process between director - musician - sound designer, in the process of creating sound and music in the film, contributing to the artistic value of a contemporary film work.
12. Practical application:
With the specificity and visuality of the research. LThe thesis will be a useful reference for filmmakers, art school students and especially film schools in training, researching and creating works of art..
13. Further research directions:
Not only limited to one director, the author will develop and research film music in art films by many other directors. This master's thesis will be the premise for the author to proceed to do a doctoral thesis, on films by directors of the New Wave of Asian cinema later.
14. Published works related to the thesis: None
       INFORMATION ON MASTER'S THESIS
 
1. Full name: Vu Minh Nghia 2. Sex: Male
3. Date of birth: March 30, 1984 4. Place of birth: Hai Phong
5. Admission decision number: 3617/2018/QD-XHNV Dated 04/12/2018
6. Changes in academic process: 2012/QD-XHNV Dated November 10, 2020
7. Official thesis title: Music in Tran Anh Hung' s films
8. Major: Theoretics, history of cinema and television 9. Code: 8210232.01
10. Supervisors: Assoc.prof – Dr Sc Phan Thi Bich Ha - Head of the Faculty of Theater and Cinema, Van Lang University

11. Summary of the findings of the thesis:
Through research topic: Music in Tran Anh Hung's films, the thesis has achieved the following results:
-Cinematographic art has learned to absorb implied energies from other art forms, including music. The music in the movie accompanies the images, contributing to supporting the visual part of the film to illustrate the idea of ​​the work and the theme of the work.
-One of the factors that make up the unique, especially poetic language of French-Vietnamese director Tran Anh Hung is music. The uniqueness of Tran Anh Hung's use of music has created an atmosphere of globalization in his film language that is very suitable for the integration trend of Vietnam today.
- This is a not too new topic but few people do it and really specialize. The research results will contribute to clarify the effect of music in the film, its role as a factor in the film's cinematic language.
- Research has clarified the relationship as well as the close working process between director - musician - sound designer, in the process of creating sound and music in movies, contributing to creating artistic value of the film. a contemporary cinematic work.
12.Practical applicability, if any:
With the specificity and visualization of the study. The thesis will be a useful reference for filmmakers, students of art schools and especially film schools in the training, research and creation of works of art.
13. Further research directions, if any:
Not only in one director, but the author will develop and study soundtracks in the art films of many other directors.This master's thesis will be a premise for the author to proceed to do a doctoral thesis, on films of directors from the Asian New Wave in the future.
14. Thesis-related publications: Not yet

Author:Vu Nga

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