Information about the thesis "The Image of Men in Nguyen Cong Tru's Works Viewed from a Gender Perspective" by graduate student Tran Thi Thu Hien, majoring in Vietnamese Literature.1. Student's Full Name: Tran Thi Thu Hien 2. Gender: Female 3. Date of Birth: January 16, 1988 4. Place of Birth: Quang Thien, Kim Son, Ninh Binh 5. Decision No. 1883/QD-XHNV-SDH dated October 21, 2010, issued by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi 6. Changes during the training process: None 7. Thesis Title: The Image of the Male in Nguyen Cong Tru's Works Viewed from a Gender Perspective 8. Major: Vietnamese Literature; Code: 60 22 34 9. Scientific Advisor: Assoc. Prof. Dr. Tran Nho Thin; Working at: Faculty of Literature, University of Social Sciences and Humanities. 10. Summary of the thesis results: Within the framework of a thesis topic, I applied knowledge of medieval gender culture to study the image of men in Nguyen Cong Tru's works from a gender perspective. The results of the research I conducted are as follows: 1. Medieval Vietnamese society was a patriarchal society with Confucianism as the state religion. In that cultural context, men always carried within themselves a sacred and noble mission and held the highest leadership position. Women had a low status, living in a dependent position and being dominated by the etiquette and customs of a patriarchal society. Reading Nguyen Cong Tru's poetry, we see the image of a man with courage, spirit, and a desire to express his individuality. Imbued with Confucian principles of loyalty and filial piety, and acutely aware of his talent and virtue, he strived to dedicate all his talent and virtue to building a lasting career and reputation – this is the essence of Nguyen Cong Tru's character. 2. The male figure in Nguyen Cong Tru's works embodies both lofty ideals and the refined elegance of a talented gentleman. Although at times he may appear arrogant, "outside the constraints of worldly life – in the tranquil pleasures of the land, his face still reflects a sense of destiny," the orbit of the Three Religions (Buddhism, Confucianism, and Taoism) still surrounds him as if by fate. Essentially, Nguyen Cong Tru was a Confucian scholar who broke free to become a talented and versatile scholar, exhibiting subtle and unconventional elements of folk culture. 3. The image of the male figure in Nguyen Cong Tru's works shares many similarities with the works of orthodox Confucian scholars. On one hand, the gentleman lives according to Confucian doctrine, carrying within him the sacred mission of self-cultivation, establishing a career, educating the people in morality, and fulfilling the noble duty of a man. On the other hand, the gentleman also holds a harsh and conservative view of female chastity. Furthermore, the gentleman in Nguyen Cong Tru's works differs significantly from that of orthodox Confucian scholars. In Nguyen Cong Tru's works, the virtuous man, after fulfilling his mission in this world, enjoys personal life, including "music, chess, poetry, and wine," and is deeply imbued with sensual pleasures. Nguyen Cong Tru was an individual who lived according to his own will, disregarding all constraints; he always boasted about his talents and glorified them.
INFORMATION ON MASTER'S THESIS
1. Full name : Tran Thi Thu Hien 2. Sex: Female 3. Date of birth: January 16, 1988 4. Place of birth: Quang Thien, Kim Son, Ninh Binh 5. Admission decision number: 1883/QD-XHNV-SĐH Dated October 21, 2010 6. Changes in academic process: 7. Official thesis title: Macho image in composition Nguyen Cong Tru viewed from the perspective of gender. 8. Major: Vietnamese literature 9. Code: 60 22 34 10. Supervisors: Associate Professor, Dr. Tran Nho Thin. Working at: Department of Astronomy, University of Social Sciences and Humanities, Vietnam National University, Hanoi. 11. Summary of the findings of the thesis: In the framework of a thesis, we use the knowledge of medieval cultural world to study the macho image in the works of Nguyen Cong Tru seen from a gender perspective. Through the research process, we draw some conclusions as follows: 1. Vietnam medieval society is patriarchal society with a view Confucianism as the state religion. In this cultural context, the man always carries his lofty spiritual mission and the highest helm. Women have inferior status, live in dependent status, and are dominated by the views rites in patriarchal society. Read our poet Nguyen Cong Tru shows up is the macho image of bravery, uprightness, the human desire to express their personality. Imbued with religion medium Confucian hospitality and well aware his virtues, trying to bring our natural virtues dedication to make a career and a reputation for life, human nature, Nguyen Cong Tru. 2. Macho in the works of Nguyen Cong Tru is both lofty ideal in his back with the noble character of the actor. Although sometimes his swagger "outside the harnessed feet high low in the quiet ha awake drunk" but the trajectory of the three religions still wrapped around him like a fate. Nguyen Cong Tru basically a house has pulled her up into the grapes amateurs, medical magazines and devout not have the hidden features of folklore. 3. Macho image in the works of Nguyen Cong Tru many similarities with the composition of the orthodox scholars. On the one hand, the gentleman lives according to the doctrines of Confucius, in her divine mission is self-made, the morality of the people, to fulfill the noble duty of man. But on the other hand, the gentleman in her harsh thoughts, conservative woman's virginity. Besides, the gentleman in Nguyen Cong Tru has many differences with the mainstream grape. The gentleman in the works of Nguyen Cong Tru, after completion of the mission while standing in heaven and earth is the personal enjoyment of life, including "holding period, construction, wine" and bold sexual nature. Nguyen Cong Tru is an individual living with them, despite all the constraints, he always showed talent, promoting the talent.
