1. Student's full name: TRAN HONG PHUC 2. Gender: Male
3. Date of birth: April 28, 1991
4. Place of birth: Ca Mau
5. Decision on recognition of students No. 2705/2020/QD-XHNV dated December 24, 2020 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi
6. Changes in the training process: Extension of study period according to Decision No. 3542/QD-XHNV dated November 28, 2022
7. Thesis topic: Integration into socialist realist cinema after 1975 - the case of director Le Hoang Hoa
8. Major: Theory, history of cinema and television; Code: 8210232.01
9. Scientific advisor: Associate Professor, Dr. Pham Xuan Thach - Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi,
10. Summary of thesis results:
(summarize the results of the thesis, emphasizing new results if any)
Through the research topic: The trend of integration into socialist realist cinema after 1975 and the case of director Le Hoang Hoa, the thesis has achieved the following results:
- We can see the movement in his filmmaking ideology: gradually becoming more realistic, aiming to praise the Party and the Revolution, praising the masses, building the image of great people, bringing epic inspiration and expressing faith in the bright future of the nation.
- The thesis shows that in terms of content, with the film "The Flipped Card", the director used reality as a strong point. He exploited the historical realism element to connect with the audience. In particular, the film "The Flipped Card" also simulated many historical and social characters and events of the time, promoting the Party, promoting the revolutionary path and socialist ideals. These are the most basic manifestations of the integration of socialist realist cinema.
- From the thesis, we can see that the way the film "The Flip Card" by director Le Hoang Hoa has been made has changed a lot compared to previous films, such as the film The Ghost of the Hua Family, in terms of filmmaking art.
- The thesis aims to study and analyze the film works of director Le Hoang Hoa before and after 1975, pointing out the changes in the method of building film stories and the method of building the development motivation of film stories.
- From the thesis we can see that after 1975, director Le Hoang Hoa's filmmaking thinking changed as follows: gradually moving towards collectivity, gradually moving towards historical realism, socialist nationalism, etc., reflecting issues with overlapping complexity and vastness like the nature of life.
- We can see that this change is necessary, inevitable and brings many undeniable values to our country's cinema.
11. Practical application: (if any)
- As reference material for students.
- Documents for those interested in the issue of cinema integration after 1975
12. Further research directions: (if any)
13. Published works related to the thesis:
(list projects in chronological order if available)
INFORMATION ON MASTER'S THESIS
1. Full name: TRAN HONG PHUC 2. Sex: Male
3. Date of birth: April 28, 1991 4. Place of birth: Ca Mau City
5. Admission decision number: 2705/2020/QD -XHNV on Dated December 24, 2020
by President of University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in academic process: Extend the study time under Decision No. 3542 / QD-XHNV dated November 28, 2022
7. Official thesis title: Integration to realism socialist cinematography after 1975 (the case of director Le Hoang Hoa)
8. Major: Theoretician, Movie history, TV 9. Code: 8210232.01
10. Supervisors: Assoc.Prof.Dr. Pham Xuan Thach, Faculty of Literature, Hanoi
University of Social Sciences and Humanities
(Full name, academic title and degree)
11. Summary of the findings of the thesis:
(Summarize them with stress on the new findings, if any)
Through research on the topic: The trend of integration into socialist realist cinema after 1975 and the case of director Le Hoang Hoa, the thesis achieved the following results:
- We can see the movement in his filmmaking ideology: gradually becoming more realistic, towards raising the masses and building the image of great people, bringing epic inspiration and expressing belief in the bright future of the nation.
- The thesis shows that in terms of content, with the movie “Upside Down” the director uses reality as a strenth. He exploits historical realism to connect with viewers. Especially the film “Van bai lat ngua” allso simulates many contemporary socio – historical characters and events – contemporary society, maintaining the Party, advocating the revolutionary path and socialist ideals. The most fundamental expression for the integration of socialist realist cinema.
- From the thesis, we can see that the way to build the film “Van Bai Lat Ngua” by director Le Hoang Hoa has changed a lot compared to previous films, such as the movie “Con Ma Nha Ho Hua” it about the art of filmmaking.
- The thesis aims to learn and analyze the cinematographic works of direction Le Hoang Hoa before and after 1975 shows the change in the method of constructing the film story and the method of building the development motivation of the film's story.
- From the thesis, we can see that after 1975, director Le Hoang Hoa's thinking in filmmaking changed as follows: gradually towards collectivism, gradually towards historical realism, social Ethiopian, socialist,…,reflects the proplem with overlapping complexity and breadth as the original quality of life.
- We can see that change is necessary, inevitable and brings many undeniable values for domestic cinema.
12. Practical applicability, if any:
- Make reference materials for students.
- Reference material for anyone interested in the issue of film integration after 1975
13. Further research directions, if any:
14. Thesis-related publications: ..........................................................................................
(List them in chronological order)
