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TTLV: Emmanuel Lubezki's filmmaking style in the three films Children of Men, Gravity, and The Revenant

Tuesday - December 12, 2017 23:35

INFORMATION ABOUT THE MASTER'S THESIS

1. Student's full name:Dang Ha Phuong               

2. Gender: Female

3. Date of birth: August 12, 1986

4. Place of birth: Hoa Binh

5. Decision No. 3215/2014/QD-XHNV-SDH dated December 31, 2014, of the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi, recognizing the student.

6. Changes to the training process: Extended to December 31, 2017

7. Thesis title:Emmanuel Lubezki's filmmaking style in the three films Children of Men, Gravity, and The Revenant.

8. Major: Theory, History and Criticism of Film and Television Code: 60.21.02.31

9. Scientific supervisor:Dr. Phung Ngoc Kien, Department of Foreign Literature - Institute of Literature.

10. Summary of the thesis results:

For a long time, researchers and the public believed that the director was ultimately responsible for the genre, style, and meaning of a film, so the attribution of authorship was focused solely on the director. This is one of the most influential viewpoints in contemporary film history, and also a flawed approach, denying the role of other key individuals. In Emmanuel Lubezki's case, despite professional recognition of his talent, no one has yet demonstrated the consistency of style, aesthetic consistency, and identity that characterize a film as an author.

Firstly, the thesis systematizes the concept of authorship and cinematic authorship style; it examines the works of Emmanuel Lubezki. From there, it points out his consistency in creativity and the formation of his filmmaking style.

Secondly, analyze the camera system in the films Children of Men, Gravity (Alfonso Cuarón) and The Revenant (Alejandro González Iñárritu) to identify common patterns in terms of form and ideas regarding shot length.

Thirdly, analyze filmmaking style as a system of cinematic language, through the analysis of specific elements such as: cinematography, lighting, setting, and point of view.

11. Practical applications:

This thesis serves as a resource for students researching literature and film, multimedia communication, multimedia art, etc.

12. Future research directions:

The Superego of the main characters in Alfonso Cuarón's films.

13. Published works related to the thesis: None.

 

INFORMATION ON MASTER'S THESIS

1. Full name: Dang Ha Phuong 2. Sex: Female

3. Date of birth: August 12, 1986 4. Place of birth: Hoa Binh

5. Admission decision number: 3215/2014/QD-XHNV-SDH. Dated: December, 31st, 2014 by the Rector of University of Social Sciences and Humanities, Vietnam National University, Hanoi.

6. Changes in academic process: Renewal to December 31, 2017

7. Official thesis title: Filmed style of Emmanuel Lubezki in the films Children of Men, Gravity and The Revenant

8. Major: Film and television theory and criticism Code: 60.21.02.31

9. Supervisors: Dr. Phung Ngoc Kien, Department of Foreign Literature - Literature Institute, Hanoi.

10. Summary of the findings of the thesis:

There has been a long period of researchers, and the public has the belief that the director is ultimately responsible for the genre, style, and meaning of the film. Therefore, the author's name is only focused on the director. This is one of the most influential views in contemporary film history, as well as a pathway, in negating the role of other key individuals. With Emmanuel Lubezki, even though recognized by the professional about his talent, but no one has pointed out the unification of style, aesthetics, and identity are the expression of an author.

First, the thesis systematizes the concept "the auteur" and the style of the auteur; research the works of Emmanuel Lubezki. Since then, we prove the consistency in creativity and style of filming.

Second, analysis of the scenes in the films Children of Men, Gravity (Alfonso Cuarón) and The Revenant (Alejandro González Iñárritu) to see the common denominators of expression, the form of images and the idea of ​​shot's length.

Third, analyze the style of filming as a film language system, through analysis of specific factors such as cinematography, lighting, context, point of view.

11. Practical applicability, if any:

Theses are materials for students studying literature and cinema, multimedia communications, multimedia art...

12. Next research directions:

The SuperEgo of the main characters in the movie of Alfonso Cuarón.

13. Published works related to thesis: None.

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