MASTER'S THESIS INFORMATION
1. Student's full name:Nguyen Thi Ngoc Diep
2. Gender: Female
3. Date of birth: December 23, 1982
4. Place of birth: Hai Phong
5. Student recognition decision No. 3215/2014/QD-XHNV-SDH dated December 31, 2014 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in training process: Extended until June 30, 2017
7. Thesis topic name:The representation of urban space in Vietnamese independent films (from a cultural studies perspective)
8. Major: Theory, history and criticism of cinema and television Code: 60.21.02.31
9. Scientific instructor:Dr. Hoang Cam Giang, Head of Department of Art Studies, Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.
10. Summary of thesis results:
The relationship between cinema and urban areas has been studied by many countries in the world, but Vietnam has hardly studied it, with only a few scattered articles on this issue. Even though independent films have existed for nearly two decades in Vietnam, there are still very few reviews of this film genre. Independent films are a genre of films that take urban areas as the subject of reflection. Through analyzing urban space in independent films, we will understand the spiritual portrait of Vietnamese society in the transition period from rural to urban areas.
Firstly, the thesis systematizes the concepts of independent film, urban and urbanization; studies the history of the development of Vietnamese urban areas and the history of Vietnamese independent films. From there, it points out the close relationship between urban space (URS) and independent films. In independent films, URS is not only a context but also a living entity with its own discourse.
Second, analyze urban culture as a cultural system in the films Bi, Don't Be Afraid! (Phan Dang Di), Flapping in the Middle of Nowhere (Nguyen Hoang Diep), Homostratus (Síu Pham) with 2 aspects: urban culture from the level of aesthetic images and cultural symbols and urban culture in the interaction between value systems.
Third, analyze KGĐT as a system of cinematic language, through analyzing specific elements such as: staging (set, lighting, costumes), filming, editing and sound.
11. Practical application:
The thesis serves as a reference for students studying literature and cinema, and interdisciplinary subjects such as sociology, psychology, urbanism, urban ecology, cultural anthropology...
12. Further research directions:
The relationship between urban and Vietnamese cinema.
13. Published works related to the thesis: None.
INFORMATION ON MASTER'S THESIS
1. Full name: Nguyen Thi Ngoc Diep 2. Sex: Female
3. Date of birth: December 23, 1982 4. Place of birth: Hai Phong
5. Admission decision number: 3215/2014/QD-XHNV-SĐH Dated: December, 31st, 2014 by the Rector of University of Social Sciences and Humanities, Vietnam National University, Hanoi.
6. Changes in academic process: Renewal to June 30, 2017
7. Official thesis title: Representation of urban space in the independent film of Vietnam (from the perspective of culture)
8. Major: Film and television theory and criticism Code: 60.21.02.31
9. Supervisors: Dr. Hoang Cam Giang, Head of the Department of Arts, Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.
10. Summary of the findings of the thesis:
The relationship between cinema and urban has been studied by many countries in the world, but Vietnam has hardly studied, only a few articles on the subject. Even independent films have existed for nearly two decades in Vietnam, but so far there have been several reviews of the series. Independent films are urban films that reflect the subject. Through the analysis of urban space in the independent film line, will explore the spiritual portrayal of Vietnamese society in the transition from rural to urban.
First, the thesis systematizes the concept of independent film, urban concept and urbanization; Explore the history of urban development in Vietnam and the history of independent Vietnamese films. It then shows the intimate relationship between urban space and the independent film line. In independent films, urban space is not only a context in which a living entity has its own discourse.
Second, analyze urban space as a cultural system in Bi, don't be afraid! (Phan Dang Di), Flapping in the middle of nowhere (Nguyen Hoang Diep), Homostratus (Siu Pham) with two aspects: urban space from aesthetic icon level and cultural symbols and urban space in interaction between systems value.
Third, the analysis of urban space as a cinematographic language system, through analysis of specific factors such as the scene (scene, lighting, costume), film, film and sound.
11. Practical applicability, if any:
Theses are materials for students studying literature and cinema, and interdisciplinary subjects such as sociology, psychology, urban studies, urban ecology, cultural anthropology.
12. Next research directions:
The relationship between urban and Vietnamese cinema.
13. Published works related to thesis: None.
Newer news
Older news
