Information on the thesis "Artistic Characteristics of the Novel 'The Treasure of Life' (Mo Yan)" by graduate student Ma Thi Chinh, majoring in Literary Theory.1. Student's Full Name: Ma Thi Chinh 2. Gender: Female 3. Date of Birth: March 3, 1987 4. Place of Birth: Bac Ninh 5. Decision No. 1883/QD-XHNV-SDH, dated October 21, 2010, of the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi 6. Changes during the training process: None 7. Thesis Title: Artistic Characteristics of the Novel "The Treasure of Life" (Mo Yan) 8. Major: Literary Theory; Code: 60 22 32 9. Scientific Advisor: Assoc. Prof. Dr. Tran Khanh Thanh - Vice Dean of the Graduate School, Vietnam National University, Hanoi. 10. Summary of the thesis results: - The thesis has studied the artistic characteristics of the novel "The Treasure of Life" (Mo Yan) from the following aspects: narrator, character development, artistic space, and artistic time. - The artistic characteristics of the novel "The Treasure of Life" are a combination of traditional storytelling and modern novel writing, based on inheritance and innovation: + While using a traditional narrative perspective, Mo Yan's storytelling is highly creative. The third-person narrator uses their own point of view and combines it with the points of view of other characters in the story. The narrator, using the pronoun "I," has a distinctly dual nature and is supported by other characters, creating a multi-layered narrative. These different types of narrators and the multi-layered narrative create mobility and a harmonious blend of viewpoints. Reality in the work has expanded in various dimensions. + The creative application of the art of defamiliarization in Western literature, combined with the fantastical elements of traditional Chinese literature and the art of exaggeration, has created a world of characters in "The Treasure of Life" who are both very ordinary people and possess the beauty of myth. The characters are not simply rigid figures but have risen to become artistic symbols. And it is they who write the history of their family and homeland… This reflects Mo Yan's concept of "the people as the subject of history." + The artistic space and time reach a level of transformation and magic. The artistic space is interwoven and flexibly transformed between realistic, imaginary, and mythical spaces. The linear timeline in the work is broken by the effects of elements such as: deviations, looking back, foreshadowing, pauses, and juxtaposition. - The work demonstrates Mo Yan's consciousness of "returning to the roots." The author not only returns to the national origins in terms of content but also in terms of art. He continued to be a driving force in contemporary Chinese literature. 11. Practical applications: Currently, there are many conflicting opinions surrounding the work "The Treasure of Life." Studying the work from the perspective of its literary characteristics has led to a proper assessment and understanding of its value. 12. Future research directions: The art of narrative in contemporary Chinese novels.
INFORMATION ON MASTER'S THESIS
1. Full name : Ma Thi Chinh 2. Sex: Feme 3. Date of birth: March 3, 1987 4. Place of birth: Bac Ninh 5. Admission decision number: 1883/QD-XHNV-SĐH Dated October 21, 2010 of headmaster of University of Social sciences and Humanities, Viet Nam National University, Hanoi. 6. Changes in academic process: No 7. Official thesis title: The art characteristics of the novel : “Bau vat cua doi” (Mac Ngon) 8. Major: Literary theory . Code: 602232 9. Supervisors: Assoc Prof. Ph.D Tran Khanh Thanh - Associate dean of School of graduate study – Vietnam National University, Hanoi 10. Summary of the findings of the thesis: - The Thesis studied the art characteristics of the novel "Bau vat cua doi" (Mac Ngon) from aspects: the narrator; art of developing characters; art space; art time. - The art characteristics of the novel "Bau vat cua doi" is a combination of the traditional storytelling art and art of writing contemporary fiction on the basis of inheritance and innovation: + Use traditional narrative throne, but storytelling of Mac Ngon is very innovative. The narrator who is third hierarchy, uses his viewpoint and in combination with the viewpoint of other characters in the story to tell. The narrator confesses "I" to having distinct dichotomous behavior and to be supported from the other characters make a hierarchical multi-narrator. From the type of a narrator and variety hierarchical create the moving and harmonizing point of sight. Reality of opus has expanded in various dimensions. + The use creatively versatile rarefy arts in Western literature with miraculous elements of traditional Chinese literature associated with magnifying art creating character cosmos in the “Bau vat cua doi”. It is not only human in the normal life but also has the beauty of the legendary. Character is not merely a dry image, but also rising to become artistic icons. And they wrote up the history of your family, father land... This represents "the people is as the subject of history" of Mac Ngon. + Art space and time has reached an evolution of marvelousity, wonderfulness. Artistic space has overlap, metabolic flexibility between the spatial array reality, mind space, and the legendary space. The linear time in his composition fractured by the effect of the following factors: wrong, looking back, warning, stop distance, paste compound The Art of processing time in the composition space has brought reality in the “Bau vat cua doi” imbued with the breath of life. - The opus expresses a sense of "three cans" of Mac Ngon. The author is not only a return to ethnic roots in content aspect but also in art aspect. He has continued to dig source for the flow of contemporary Chinese literature. 11. Practical applicability : Now, there are many opposing ideas around “Bau vat cua doi”. The reseach of this novel from the literaturecharacteristics had right estimated and understood this novel value 12. Further research directions :Narrative art in contemporary Chinese novel
