Information about the thesis "Postmodern Influences in Mo Yan's Novel 'Thirteen Chapters'" by graduate student Nguyen Thi Ha, majoring in Foreign Literature.1. Student's full name: Nguyen Thi Ha 2. Gender: Female 3. Date of birth: February 24, 1986 4. Place of birth: Phu Thu, Kinh Mon, Hai Duong 5. Decision number recognizing the student: 1528/2009 dated October 14, 2009, by the Rector of the University of Social Sciences and Humanities, Vietnam National University, Hanoi. 6. Changes during the training process: 7. Thesis title: Postmodern imprint in Mo Yan's novel "Thirteen Chapters". 8. Major: Foreign Literature; Code: 60.22.30 9. Scientific supervisor: Assoc. Prof. Dr. Le Huy Tieu, University of Social Sciences and Humanities. 10. Summary of thesis results: The thesis content consists of three chapters: Chapter 1: Theoretical basis for establishing postmodern imprint in Mo Yan's novels. Postmodernism in literature emerged in the 1950s in Europe and America, a trend that continued modernism, linked to the explosion of the information technology revolution. Upon entering Chinese literature, postmodernism influenced writers primarily through its postmodern sensibility, spirit, and some of its creative techniques. Chapter 2: The imprint of postmodernism is manifested through the paradoxical double-code imagery in the novel "Thirteen Steps." This paradoxical double-code imagery in "Thirteen Steps" is expressed through mask-swapping double-code, replication double-code, and human-object double-code. Throughout the work is the unidentified narrator, sitting in an iron cage, eating chalk, and telling stories about Fang Fu Gui – Zhang Chi Qiu, Li Yu Qian – Tu Xiao Ying. He himself is a multi-valued double-code, and the stories he tells, the characters he embodies, are also paradoxical fragments in that enormous chain of double-codes. Chapter 3: Postmodern imprints expressed through ecstatic language and intertextual issues in the novel "Thirteen Steps". The ecstatic language in "Thirteen Steps" is expressed through a style of elevating and degrading writing, exaggeration and degradation, and the reversal of all high and low values. Intertextuality is one of the important characteristics of postmodernism. In the novel "Thirteen Steps," it is expressed right from the title of the work and the fusion and interaction between other genres such as journalism, mythology, and political writing… 11. Practical application: None 12. Further research directions: Postmodern imprints in Mo Yan's novels. 13. Published works related to the thesis: None
INFORMATION ON MASTER'S THESIS
1. Full name: Nguyen Thi Ha 2. Sex: female 3. Date of birth: February 24, 1986 4. Place of birth: Phu Thu, Kinh Mon, Hai Duong. 5. Admission decision number: 1528 /2009 Dated: October 14 / 2009 6. Changes in academic process: 7. Official thesis title: Imprints of the postmodern in the novel “Thirteen steps” of Mac Ngon. 8. Major: Foreign literature 9. Code: 60.22.30 10. Supervisors: Associate Professor Dr. Le Huy Tieu, University of Social Sciences and Humanities. 11. Summary of the findings of the thesis: The content of the thesis consists of three chapters: Chapter 1: The set of logical markers postmodern in novel of Mac Ngon. Post-modern literature was born from the land in 1950 on European and American, is the trend followed modernism, associated with the outbreak of revolution in information technology. When entering Chinese literature, post-modern writers affect mainly observational, post-modern spirit of the law and its composition. Chapter 2: The imprint postmodern expressed against allergic image - double code in the novel "Thirteen steps" Against allergic image – double code of "Thirteen steps" is represented by three types of masks swap double code, type code and type double code double restore the - character. Throughout in the novel is unknown narrator, sitting in a cage of iron, eating chalk, telling stories about Phuong Phu Quy – Truong Xich Cau, Ly Ngoc Thien – Do Tieu Anh. Himself is a multi-double codes and the story that he told, the characters in his body is allergic against the mosaic in the series was a huge double code. Chapter 3: The postmodern imprint expresses crazy language and associated documents in the novel "Thirteen steps" Crazy language in "Thirteen steps" is shown by way of written and promoted a flat way, amplify and bring down, shocking both value and vile. Associated documents is an important feature of post-modern. In "Thirteen steps", it is shown at right from the title of the novel and the use of, interference between different genres such as journalism, myth, the review text ... 12. Practical applicability, if any: 13. Further research directions, if any: Imprints of the postmodern in novels of Mac Ngon. 14. Thesis-related publications: None
