Thesis information "Postmodern imprints in Mo Yan's novel 'Thirteen Parts'" by HVCH Nguyen Thi Ha, majoring in Foreign Literature.1. Full name of student: Nguyen Thi Ha 2. Gender: female 3. Date of birth: February 24, 1986 4. Place of birth: Phu Thu, Kinh Mon, Hai Duong 5. Decision to recognize student No.: 1528/2009 October 14, 2009 by the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi. 6. Changes in the training process: 7. Thesis topic name: Postmodern imprint in the novel "Thirteen Sets" by Mo Yan. 8. Major: Foreign Literature; Code: 60.22.30 9. Scientific supervisor: Associate Professor. Dr. Le Huy Tieu, University of Social Sciences and Humanities. 10. Summary of the results of the thesis: The content of the thesis includes three chapters: Chapter 1: Theoretical basis for establishing the postmodern imprint in Mo Yan's novels. Postmodernism in literature was born in the 1950s in Europe and America, a trend that continued modernism, associated with the explosion of the information technology revolution. When penetrating Chinese literature, postmodernism influenced writers mainly in its postmodern sense, spirit and some of its creative techniques. Chapter 2: The postmodern imprint is shown through the paradoxical image - the double code in the novel "Thirteen Parts". The paradoxical image - the double code in "Thirteen Parts" is shown through the mask-swapping double code, the duplicate double code and the human-object double code. Throughout the work is the image of an unidentified narrator, sitting in an iron cage, eating chalk, telling stories about Phuong Phu Quy - Truong Xich Cau, Ly Ngoc Thien - Do Tieu Anh. He himself is a multi-valued double code and the stories he tells, the characters he incarnates into are also paradoxical pieces in that giant double code chain. Chapter 3: Postmodern imprints are shown through the ecstatic language and the intertextual problem in the novel “Thirteen Parts”. The ecstatic language in the Thirteen Parts is shown through the writing style of elevation and descent, exaggeration and degradation, and the reversal of all noble and base values. Intertextuality is one of the important characteristics of postmodernism. In the novel Thirteen Parts, it is shown right from the title of the work and the fusion and intersection between other genres such as journalism, legends, political texts, etc. 11. Ability to apply in practice: No 12. Further research directions: Postmodern imprints in Mo Yan’s novels. 13. Published works related to the thesis: No
INFORMATION ON MASTER'S THESIS
1. Full name: Nguyen Thi Ha 2. Sex: female 3. Date of birth: February 24, 1986 4. Place of birth: Phu Thu, Kinh Mon, Hai Duong. 5. Admission decision number: 1528 /2009 Dated: October 14 / 2009 6. Changes in academic process: 7. Official thesis title: Imprints of the postmodern in the novel “Thirteen steps” of Mac Ngon. 8. Major: Foreign literature 9. Code: 60.22.30 10. Supervisors: Associate Professor Dr. Le Huy Tieu, University of Social Sciences and Humanities. 11. Summary of the findings of the thesis: The content of the thesis consists of three chapters: Chapter 1: The set of logical markers postmodern in novel of Mac Ngon. Post-modern literature was born from the land in 1950 on European and American, is the trend followed modernism, associated with the outbreak of revolution in information technology. When entering Chinese literature, post-modern writers affect mainly observational, post-modern spirit of the law and its composition. Chapter 2: The imprint postmodern expressed against allergic image - double code in the novel "Thirteen steps" Against allergic image – double code of "Thirteen steps" is represented by three types of masks swap double code, type code and type double code double restore the - character. Throughout the novel is unknown narrator, sitting in a cage of iron, eating chalk, telling stories about Phuong Phu Quy – Truong Xich Cau, Ly Ngoc Thien – Tu Tieu Anh. Himself is a multi-double codes and the story that he told, the characters in his body is allergic against the mosaic in the series was a huge double code. Chapter 3: The postmodern imprint expresses crazy language and associated documents in the novel "Thirteen steps" Crazy language in "Thirteen steps" is shown by way of written and promoted a flat way, amplify and bring down, shocking both value and vile. Associated documents is an important feature of post-modern. In "Thirteen steps", it is shown at right from the title of the novel and the use of, interference between different genres such as journalism, myth, the review text ... 12. Practical applicability, if any: 13. Further research directions, if any: Imprints of the postmodern in novels of Mac Ngon. 14. Thesis-related publications: None
