TTLV: Rhyme, rhythm and methods of creating meaning in the six-eight poetry language of Dong Duc Bon.

MASTER'S THESIS INFORMATION

1. Student's full name:Pham Thu Hoai     

2. Gender: Female

3. Date of birth: April 28, 1987

4. Place of birth: Tuyen Quang

5. Decision on recognition of students No. 1883/2010/QD-XHNV-SDH dated October 21, 2010 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi

6. Changes in the training process:

7. Thesis topic name:Rhyme, rhythm and methods of creating meaning in the six-eight poetry language of Dong Duc Bon.

8. Major: Linguistics Code: 60 22 02 40

9. Scientific instructor:Dr. Nguyen Thi Phuong Thuy

10. Summary of thesis results:

- Poetry is a very unique linguistic art. Poetic language is a language within language, an aesthetic language. The characteristics of poetic language are mainly expressed in the phonetic, lexical-semantic and grammatical levels, in which the phonetic level plays a very important role. Luc Bat poetry is a traditional poetic form, the breath of the Vietnamese soul, filtered from folk songs, crystallized in Truyen Kieu and continues to be renewed through the talent of modern poets, including Dong Duc Bon.

- Dong Duc Bon has a knack for traditional poetic forms and he has sublimated from the six-eight verse. Coming to the six-eight verse, on the one hand, Dong Duc Bon returns to the source of the nation, the gentle, deep breathing of the race, but on the other hand, he is also very conscious of escaping the gentle, evenness that has become familiar in the poetic form. The way Dong Duc Bon organizes the rhymes of his poems both follows the principle of sound harmony of traditional poetic rules and has an expansion that cracks the harmony in the elements participating in the rhyme, including tone, final sound and main sound, creating a new type of harmony that is not completely constrained. The way Dong Duc Bon organizes the rhythm of the poem in the six-eight verse both inherits and innovates, with innovation compared to the traditional poetic rules. Rhyme and rhythm together with the sound combination have a relationship of mutual restraint to form a melody, a new melody with a unique character, very Dong Duc Bon. In Dong Duc Bon's six-eight verse, rhythm is the result of the harmony of the rhyme and the sound combination (rhyme).

- Dong Duc Bon's six-eight poems are rich in poetry and contain a lot of aesthetic information, so they have the power to haunt readers. Dong Duc Bon has created semantics for six-eight poems by means of rhetorical devices and built a unique and diverse system of poetic images. By means of outstanding rhetorical devices such as rhetorical comparison, repetition and antithesis, the poet has brought readers aesthetic messages, expressing emotional levels, contemplations and thoughts about life and human destiny. Dong Duc Bon's poetic images are simple and familiar, but have the power to evoke many ontological issues of existence, of human life, of human destiny. Moreover, Dong Duc Bon's six-eight poetic language, in many cases, is a language within a language through novel phenomena in the use of words, phrases and verses. These unusual linguistic phenomena contribute to the personality of Dong Duc Bon's six-eight poetic language.

11. Practical application:

In terms of practice, the results of the thesis also help readers see Dong Duc Bon's contributions to the renewal of the six-eight verse form. Through the case of Dong Duc Bon, we affirm that the six-eight verse form will last and develop continuously because it still contains many new things in poetics and will be explored and cultivated by generations of poets like Dong Duc Bon and the following generations.

12. Further research directions:

Further research direction: Continue to study, survey, analyze rhyme, rhythm and methods of creating meaning in Vietnamese poetry at certain stages.

13. Published works related to the thesis: None

INFORMATION ON MASTER'S THESIS

1. Full name: Pham Thu Hoai 2. Sex: Female

3. Date of birth: April 28, 1987 4. Place of birth: Tuyen Quang

5. Admission decision number: 1883/2010/ QD-XHNV-SĐH, dated October 21, 2010

6. Changes in academic process:

7. Official thesis title: Rhyme, rhythm and method of creating meaning in “Luc Bat” poetry of Dong Duc Bon poet.

8. Major: linguistics 9. Code: 60 22 02 40

10. Supervisors: MA Nguyen Thi Phuong Thuy

11. Summary of the findings of the thesis:

- Poem is the art of words; the language of poetry is the aesthetic language. The features of the language of poetry are mainly expressed in the phonetic level, lexical - semantic and grammar, in which the phonetic is very important. “Luc Bat” is a traditional poetry, it was from folk, crystallized in the “Kieu story” and refreshed by modern poets, including Dong Duc Bon poet.

- Dong Duc Bon good at tradition of poetry and he is excellent in “Luc bat”. By “Luc bat” poems, he returned the original of country, and he was also very conscious to pass the gentle and regular which has become familiar. He not only complies with the principle of harmonious sounds of traditional but also widens, it cracks harmonize and creates a new type of harmony which is not completely bound. He has inherited and innovated. He created a new rhythm with particularity.

- The poems of Dong Duc Bon consist of aesthetic information. So they are very obsessive readers. He creates the meaning for “Luc bat” by rhetoric and unique image, diversity. Through the rhetorical method, the poet has given readers the message aesthetic, reflecting the emotional highs and lows, the contemplative reflection about life. His poetic is simple and close but they make us connect to problems of existence, of human life. Furthermore, the unusual phenomenon of language contributes to personality language in his poems.

12. Practical applicability, if any:

At a practical applicability, this thesis helps readers see the contribution Dong Duc Bon in the innovation “Luc bat” poetry. Furthermore, we affirm “Luc bat” poetry will be exist developed by the generation of poets such as Dong Duc Bon and the next generation.

13. Further research directions, if any:

Continue to study, analyze rhyme, rhythm and methods of creating meaning in Vietnamese poetry in a certain stages.

14. Thesis-related publications: Nil