1. Student's full name: Nguyen Khanh Huyen
2. Gender: Female
3. Date of birth: July 22, 1997
4. Place of birth: Quang Ninh
5. Decision on recognition of students No. 2705/2020/QD-XHNV dated December 24, 2020 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi
6. Changes in the training process:
7. Thesis topic: Approaching the two films Khi con la nha (2017) by Vu Ngoc Dang and Hai Phuong (2019) by Le Van Kiet from a cultural perspective
8. Major: Theory, history of cinema and television; Code: 8210232.01
9. Scientific advisor: Dr. Nguyen Thi Nam Hoang, Faculty of Literature, University of Social Sciences and Humanities - Vietnam National University, Hanoi.
10. Summary of thesis results:
Thesis Approaching the two films When I am home (2017) by Vu Ngoc Dang and Hai Phuong (2019) by Le Van Kiet from a cultural perspective aims to study and approach the two films from a cultural perspective, specifically examining the movement of cultural aspects in the two films through the core issue of visualization, expression of the cultural space of the South, the relationship between people in the culture of behavior with the community, with themselves, the collision of cultural values in people's spiritual life. Thereby, we can see the life of the countryside or city in Vietnam appearing very realistically, it is not only the poetic and charming beauty of the rivers and villages, the richness of nature, but also the survival of each person.
At the same time, the thesis looks at the outstanding elements of the narrative and cinematic language of the two films to clarify the regional and stylistic imprints of each director from a cultural perspective. The directors have integrated cultural identities and identities through the circumstances and stories of each character, each family, each region, etc., influenced by the people of the era, people who contain contradictions and thoughts about life.
The thesis combines the use of national cinema approaches, authors, genres, cultural studies - history with interdisciplinary research methods such as cultural studies, anthropology. The fundamental theory for the thesis is the theory of cultural studies, cultural approaches in film studies. In this thesis, culture is viewed in both the characteristics of ecological space, social space; the relationship between people with the community and with themselves; cultural patterns from nature and social life. The operations of analysis, comparison, contrast, synthesis will be applied in the process of developing the thesis.
11. Practical application: (if any)
12. Further research directions: (if any)
13. Published works related to the thesis:
INFORMATION ON MASTER'S THESIS
1. Full name: Nguyen Khanh Huyen
2. Sex: Female
3. Date of birth: 22/07/1997
4. Place of birth: Quang Ninh
5. Admission decision number: 2705/2020/QD-XHNV signed by VNU University of Social Sciences and Humanities's Academic Director; Dated December 24, 2020
6. Changes in academic process:
7. Official thesis title: Approaching two films: My son is my home (2017) by Vu Ngoc Dang and Furie (2019) by Le Van Kiet from a cultural perspective.
8. Major: Theory and history of film and television 9. Code: 8210232.01
9. Supervisors: Ph.D Nguyen Thi Nam Hoang; Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.
10. Summary of the findings of the thesis:
Thesis of Approaching two films: My son is my home (2017) by Vu Ngoc Dang and Furie (2019) by Le Van Kiet from a cultural perspective towards the task of understanding and approaching the two films from a cultural perspective. specifically, considering the movement of cultural segments in the two films through the core issue of visualization and representation of the Southern cultural space, the relationship between people in the culture and the environment, the cultural behavior with the community, with oneself, the collision of cultural values in human spiritual life. Thereby, the life of the village or city in Vietnam appears full of truth, which is not only the poetic and charming beauty of the village's rivers, the richness of nature, but also the life of the people. survival of every human being.
At the same time, the thesis recognizes the outstanding elements in terms of narrative and visual language of both films to clarify the regional and the stylistic imprints of each director from a cultural perspective. The directors have integrated cultural identities and identities through the circumstances and stories of each character, family, region, influenced by the people of the times, the people. contains contradictions, thoughts about life.
The thesis combines the approach of ethnic cinema, author, genre, cultology - history with the interdisciplinary research methods such as culturology, anthropology. The basic principles of the position of the thesis is the theory of culturology, the approach to culture in film research. In this thesis, culture is seen in both ecological and social space characteristics; people's relationships with the community and with themselves; cultural patterns from nature and social life. The use of analysis, synthesis, comparison and collation will be applied in the process of developing theses.
11. Practical applicability, if any:
12. Further research directions, if any:
13. Thesis-related publications:
