MASTER'S THESIS INFORMATION
1. Student's full name: Le Thi Tuan 2. Gender: Female
3. Date of birth: May 25, 1990
4. Place of birth: Trieu Dong, Tan Minh, Thuong Tin, Hanoi.
5. Decision on recognition of students No. 1503/2012 dated August 5, 2012 of the President of the University of Social Sciences and Humanities, Vietnam National University, Hanoi
6. Changes in training process: No
7. Thesis topic: Gender issues in contemporary Vietnamese cinema (viaMoon at the bottom of the well, Endless fieldsandBi, don't be afraid)
8. Major: Literary Theory; Code: 60 22 01 20
9. Scientific advisor: Associate Professor, Dr. Ly Hoai Thu, lecturer at the Faculty of Literature, University of Social Sciences and Humanities, Vietnam National University, Hanoi.
10. Summary of thesis results:
Firstly, the thesis defines and systematizes the concept of gender in literature and cinema; the movement and development of gender consciousness in socio-cultural life; the role of gender approach in contemporary Vietnamese cinema.
Second, applying the gender approach to three filmsMoon at the bottom of the well, Endless fieldsandBi, don't be afraid, pointing out the manifestations of gender consciousness in terms of aesthetic images (characters, symbol systems, space-time) and discourse (dialogue, narrative point of view and actors' performances). From there, it is pointed out that the gradual increase in levels of gender expression in the three films is due to the time and cultural space context that the films express. Through that, we can partly see the personality characteristics of women in each region (Hue - Ca Mau - Hanoi). At the same time, through the way of behaving with the "source text", we can see the shift in the way the director perceives gender compared to the writer, thereby seeing the style of each director.
Third, through the analysis of specific cinematic language such as: staging (setting, lighting, costumes), filming, editing and sound, we can see the manifestations of gender consciousness in the film. That is the concretization of interpretations in the language of the cinematic work itself, affirming the scientific, accurate and objective nature of the topic.
In short, the thesis presents a new approach - a gender approach to cinematographic works, providing a realistic view of a characteristic of contemporary cinema, affirming the sensitivity and flexibility of cinema art in deeply adhering to human life and consciousness, while also contributing to sketching and shaping cinema in particular and expressing the spirit of the times, culture and Vietnamese society in general.
11. Practical applicability: The thesis serves as a reference for students studying literature and cinema, and interdisciplinary subjects such as gender surveys in sociology, psychology, etc.
12. Further research directions: Gender issues and feminist nuances in contemporary Asian cinema.
13. Published works related to the thesis: None
INFORMATION ON MASTER'S THESIS
1. Full name: Le Thi Tuan 2. Sex: Female
3. Date of birth: May 25, 1990 4. Place of birth: Hanoi
5. Admission decision number: 1503/2012 Dated: August 5, 2012
6. Changes in academic process: None
(List the forms of change and corresponding times)
7. Official thesis title: Gender issues in contemporary cinema Vietnam (over Moon at the bottom of the well, Acres of endless and Bi, do not be afraid)
8. Major: Literary Theory 9. Code: 60 22 01 20
10. Supervisors: Associate Professor, Dr. Ly Hoai Thu
(Full name, academic title and degree)
11. Summary of the findings of the thesis:
First, the thesis identifies and codifies the concept of gender in literature and cinema; movement and the development of gender consciousness in social and cultural life; approaching the role of gender in contemporary cinema Vietnam.
Second, the application approach sex in three films Moon at the bottom of wells, Field endless and Bi, do not be afraid, just the manifestation of gender consciousness in terms of aesthetic images (characters, symbol system, space - time) and discourse (dialogue, narrative point of view of actors and acting). Since then, points to the increasing sexual levels of expressed in three films is due to the context of time and space that the film cultural expression. Thereby, partially visible personality characteristics of women in each of the regions (Hue - Mau - Hanoi). At the same time, through behavior with "source text" will see a shift in the gender perspectives of the director than a writer, which shows the style of each director.
Third, through analysis of specific film language such as staging (set, lighting, costumes), filming, editing and sound visible manifestations of gender consciousness in the film. It is the concretization of the opinion expressed in the language of cinema; science confirms the accuracy and objectivity of the research.
In a nutshell, the thesis demonstrates a new approach - approach sex in cinema, bringing an honest view of the characteristics of contemporary cinema, confirming acumen, flexibility of Technology cinematography in the entrenched into the life and mind of human nature, while also contributing sketches, shape cinema in particular and expressing the spirit of the times, the culture, the society said Vietnam in general.
12. Practical applicability, if any: The thesis documents research in student of literature and cinema, and interdisciplinary subjects such as surveying gender in sociology, psychology.
13. Further research directions, if any: Gender issues and nuances of feminism in contemporary Asian cinema.
14. Thesis-related publications: None
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